#But a bad way with dealing with the problem

[walking-the-velvet-green]

Thanks OP for this post! Let me add my own thoughts for emphasize :

- not getting a child the medical or psychological help they need is neglect. Plain and simple. As a parent YOU have to make sure, that the child you have - whatever condition it is in receives proper medical care.

If you choose to belittle or ignore signs of a psychological issue like autism, adhd and other stuff - that's neglect. You're actively setting your child up for further problems later in life.

If your child tells you they have certain symptoms you go get and let them be checked out. If the doctor does not find anything wrong but the child is still saying they experience those symptoms, talk to them and get psychological help if that doesn't work (sometimes stress or pronls can manifest psychosomatic)

On the other hand you are also obligated to your child to explain any medical issues to them. Don't treat it as a secret or as something to hide or to be ashamed of.

Hell - if you as a parent are ashamed of your child's condition I genuinely question your empathy and ability to care for others properly.

But, you also don't get to tell EVERYONE and their grand mother about the child's Condition. Only discuss it, when they are a medical professional working with said child. Or if it's in school, where they need to know those things too.

You don't get to discuss it at length with the neighbour's and you don't get to proclaim it at anyone's birthday table. If the child is older they will decide whom to tell about it.

Don't limit your child by telling them that they can absolutely not do certain things or that they are naturally bad at stuff because if their condition. Explain why they might not be able to do things like anyone else and then find ways to let them try stuff out.

Teach them to listen to their body. Because there will be a day when your child will be grown up and they need to deal with their Conditions alone. Teach them to be handle them and still love their life to the full extend without shame or self doubt.

Not to sound like a person who actually cares about children, but it's so alarming that there's this tendency and trend of not telling kids about their medical conditions that are in their charts.

I'm finding out as an adult that they (though it's not documented who) diagnosed me with a life-long, chronic condition without telling me when I was a teenager. I found out recently when I got curious about my medical charts, and otherwise, I would not have known what's wrong with me. I've been left with more questions than answers, and I feel like a private investigator investigating my own damn health and life.

Is this medical malpractice? Yes. However, I think it also speaks to a broader point of how children are seen to not be entitled to their own lives in any capacity, to the point where they are (intentionally or not) made ignorant about things that are or will affect them.

[rottenfyre]

𓈒ㅤׂㅤ 𓇼 ࣪ ʏ ᴏ ᴜ ɴ ɢ ʟ ᴏ ᴠ ᴇ 𓈒ㅤׂㅤ⭒⠀

Pairing: Robins x Fem Reader

Headcanon: How would they be as your boyfriend?

Characters: Dick Grayson, Jason Todd, Damian Wayne.

Note: English is not my first language. Hope you enjoy!

:¨ ·.· ¨:⠀ ㅤ Dick Grayson   ׅ      ♡ 𝄒!

Affection Overload: Dick is all about physical affection. Hugs, kisses, holding hands—he’s constantly touching you. If you’re in public, expect him to have an arm around your waist or your hand in his at all times.

Grand Gestures: He loves making big romantic statements. Random flowers delivered to your class? Check. Swinging into your bedroom window just to say goodnight? Double check.

Jealousy Level: Surprisingly chill, but only because he’s confident. If someone flirts with you, he’ll swoop in with a smug smile and casually remind them that you’re his.

Protective Side: He’s sweet and easygoing most of the time, but the second he thinks you’re in danger, he turns into serious protector mode. He’s not above scaring people off if necessary.

Clingy but Cute: He hates being away from you. Even if you’re just apart for a day, he’ll text or call constantly. "Miss me yet? Because I miss you."

The Cheerleader Boyfriend: Dick is your biggest fan. Whether you’re pursuing a hobby, trying something new, or just having a bad day, he’s there hyping you up like, “You’re amazing, don’t forget that.”

Drama King: If you ever fight, expect him to show up at your door with flowers, chocolates, and the saddest puppy-dog eyes you’ve ever seen. He cannot stand the idea of you being upset with him.

:¨ ·.· ¨:⠀ ㅤ Jason Todd   ׅ      ♡ 𝄒!

Acts Tough but Is a Softie: Jason tries to play it cool, but deep down, he’s so soft for you. You’ll catch him staring at you like you hung the moon, and he’ll deny it every time.

Overprotective: Jason is feral when it comes to your safety. If anyone so much as looks at you the wrong way, he’s ready to throw hands. “You okay, babe? Need me to deal with them?”

Big on Small Gestures: He’s not a grand-gesture kind of guy, but he’ll quietly leave your favorite snacks on your desk or slip a note into your bag that says, "Have a good day, idiot."

Jealousy Level: Off the charts. Jason tries to play it cool, but the second someone flirts with you, his hand is on your waist, and his glare is lethal.

Supportive but Real: Jason is your rock. He’ll always be there for you, but he’s not afraid to call you out if he thinks you’re being too hard on yourself. “Stop beating yourself up. You’re amazing. End of story.”

Loves Quiet Time Together: He’s happiest when it’s just the two of you curled up on the couch, watching movies or reading. Those moments mean the world to him.

Secretly Romantic: Jason pretends he’s not into cheesy romance, but he’ll randomly do something that makes your heart melt, like showing up with a book he thought you’d like or quoting poetry at the most unexpected times.

:¨ ·.· ¨:⠀ ㅤ Damian Wayne   ׅ      ♡ 𝄒!

Awkwardly Affectionate: Damian isn’t great at expressing his feelings verbally, so his affection comes in the form of small, thoughtful actions. He’ll make sure your tea is brewed perfectly or bring you handmade gifts.

Possessive but Polite: Damian hates sharing your attention. If someone flirts with you, he’ll politely (but firmly) remind them who you belong to. “I believe you’re wasting your time. She’s spoken for.”

Jealousy Level: High but controlled. Instead of losing his temper, he’ll subtly outshine whoever is trying to steal your attention. “Ah, yes, you’ve met my girlfriend. Isn’t she magnificent?”

Protective in a Subtle Way: He’s not loud about it, but Damian is always watching out for you. If someone wrongs you, he’ll handle it quietly and efficiently. “You’ll find they’re no longer a problem.”

Always Wants to Impress You: Damian is constantly trying to prove himself to you, whether it’s through his art, his fighting skills, or his intellect. He’s desperate for your approval, even if he pretends he’s not.

Secretly Vulnerable: Behind his confident exterior, Damian is terrified of losing you. He doesn’t know how to handle those emotions, so he’ll sometimes withdraw until you reassure him.

Over-the-Top Romantic in Private: When it’s just the two of you, Damian lets his walls down. He’ll read you poetry, kiss your hand, and whisper how much you mean to him.

How They’re Similar:

All of them are incredibly protective of you and hate seeing you hurt or upset.

They’re obsessed with making you happy and will go out of their way to ensure you feel loved.

Whether they’re soft and sweet or intense and dramatic, they all love you with their whole heart—and they’re not afraid to show it.

@ʀᴏᴛᴛᴇɴꜰʏʀᴇ 2024. ᴅᴏɴ'ᴛ ᴄᴏᴘʏ, ᴛʀᴀɴꜱʟᴀᴛᴇ ᴏʀ ᴜꜱᴇ ᴀɴʏ ᴏꜰ ᴍʏ ᴡᴏʀᴋꜱ ʜᴇʀᴇ ᴏʀ ᴀɴʏ ᴏᴛʜᴇʀ ᴡᴇʙꜱɪᴛᴇꜱ.

[max-the-many]

Hello, I need your help. My best friend got cheated by her boyfriend, an homophobic douchebag that is in love with himself. He always makes fun of me when she is not looking and now he cheated on her.Can you give him his money back? Trapping him inside a gay bottom twink or something? Your pice will be mine. He deserves the worst for what he did!

When I read this I was hooked immediately. Not that I really cared to be honest. I mean, it is bad what he did, but for me, it was mostly an excuse. There's something really satisfying dealing with such a guy.

So I got on the road the same night. Luckily it wasn't that far. Antony even gave me the name of a bar where that guy frequently hung out so as it was friday, the urge to get there was even stronger.

When I got in, I couldn't see him based on the pictures Anthony provided. So I sat down to have a drink. The bar was moderately busy and I looked around, wondering if anyone could maybe help as there surely would be several knowing Lyle.

So eventually I started chatting to a guy sitting next to me. He actually knew Lyle, but just barely from the bar. He showed me another dude, though, that should be closer to Lyle.

It probably was a bit weird to ask about him like that even though I pretended to wait for him. But that guy didn't seem to care.

So I didn't care either, especially when that friend of Lyle went to the restrooms.

‘Why not’ I thought, going after him.

When I got in, he stood infront of a pissoir, his body nicely framed, a bit leaner than Lyle but easily some kind of gymbuddy.

‘Classic’ I thought when I saw him there, the room otherwise empty besides a closed stall.

But this wouldn't be the first time I acted in such a situation so I stepped to the urinal besides him, prepared to hit him with a shot as soon as he was finished, dragging him into the next stall, making sure not to be too rampant.

As he was sitting on the toilet seat infront of me I really got excited. He really wasn't the worst to slip in. Short hair, stumbled face, sporty, wearing a casual T and rather tight jeans which I was happy to get off now.

Seeing him naked, getting flatter and flatter only added to the appeal while I got naked myself.

As I eventually stepped out in my new persona the guy from the other stall was washing his hands, watching me suspiciously.

“What is it?" I hit him, getting quite the kick on speaking with my new voice the first time, but the other guy didn't reply.

Back in the bar nothing much had changed. So I went to the guys I saw my new persona with. Turned out to be a pretty good source of information, giving me quite some insight of Lyle though they probably exaggerated as he probably did to them as well. But after that I was pretty sure that he wasn't cheating just that one time. Unfortunately it turned out that he wouldn't be in the bar tonight. But this shouldn't be a problem at all as I got his address, making a bit of a fool of myself as the guy I was in probably would have known it already.

After another drink I eventually heading out, searching for the car the keys in my pocket belonged to. Took quite a while to be honest.

10 minutes later I stood in front of a small bungalo. Light was on. So I stopped onto the porch.

“Lyle?” I knocked. But nothing happened. When I listened at the door I could clearly hear voices, movement. So I knocked again louder. “Lyle, common! It's Keith!” I added.

Another moment passed until I heard footsteps. Then the door opened.

“What the fuck!” was passed along while a topless Lyle appeared, having his belt open, clearly coming from some business he wasn't keen on being disturbed from.

“You got company?” I asked cheekily which he answered with an annoyed nod.

And I don't know what really crossed my mind, but more on instinct than on a clear plan I quickly reached into my pocket, pulled out a syringe and stuck it into his waist before he could even begin to wonder.

I smiled, pushed my way in and looked around.

“What just…Keith?”

A girl was sitting on a couch separating the entrance to a living area, turning her head at the scene I was providing, just wearing a bra and clearly not being his girlfriend.

“Ah! I'm sorry. He seemed to have forgotten our plans” I said, taking the steps towards her to give her another shot as she was frozen in irritation.

“Caught in the act” I smiled, walking around the couch to get a good look. She was quite cute with long, dark blonde hair and good equipment under her bra.

As I saw them both, now on their way to be good suits, an idea came to mind. Something I haven't done or even thought of so far. But when it got to my mind I had no other chance than to do it. It was just the perfect opportunity.

So I got to Lyle dragged him to the couch before getting him naked, doing the same to his date. Then came the tricky part, but I really was determined.

A good half an hour, it was ready. Sitting on the couch, just wearing her tight slip was that girl. Or should I say, both of them, neatly tied up on hand and feet.

“What…” she got out, clearly still busy. But as she let out her first words a certain look came on to her eyes.

“Where…” again she froze, looking around and finally down at herself.

“What is this! What…” she let out again, not able to process the situation, finally looking at me.

“Keith, what is this! And why am I… my voice… my…” she said looking down at herself. Or should I say, himself.

“Isn't it nice to see the world from a new perspective for once?” I said, looking at her with a devious smile before coming closer.

“She got quite the bod” I said “Isn't she?” while my hand slid over her voluminous breasts.

“Don't!” he stuttered.

“Or what? You seemed to liked her pretty much” I replied “and I can't complain. That face, those tits, and not to miss what awaits down there” I said, stroking along her body before diving between her legs.

“What… ahh” he let out in a mixture of anger and discontent.

“Don't you wonder what pleasures all those chicks get with your manly work?”

His eyes widened. “You…” was all he was able to get out before I pulled up the cloth around his neck, limiting him to nothing more than muffled sounds when I took his hand to lead it towards my crotch.

“We will have a lot of fun”...

---

Whomever sent this request. Feel free to reach out.

[rivertalesien]

A lot of ideas can co-exist.

There are activists on Tumblr. Some have been "activated" online. They've grown up on Tumblr. Tumblr is a default location for so many to try and urge others to act on their own best interests. There's no better way to use Tumblr than through fandoms.

That means the bad faith operators use them, too.

We've seen radicalizing in fandoms for years. Terfs do it, fascists do it.

One of the ways they have been particularly effective is in shutting down any conversation they don't want people to have. And it has worked. There are outcroppings in every social media sphere where people are: NO POLITICS. NO LGBTQ TALK. NO GENOCIDE TALK. NO BAD STUFF. PERIOD. No one wants to go through the drama of sorting it all out. It's been traumatizing for a lot of people. Cutting everything potentially problematic back is one way of dealing with the problem and making sure nothing toxic starts to take hold again.

There's upsides to that and some downsides: how people have been radicalized says a lot. I know some folks just want to get the revolution started and think banging heads together out here will do it.

So there's folks who have grown up here to reject that, fight against it and try to push others toward "action" without ever really being able to define what that "action" should be. There's folks who don't even realize they're desperation for "action" turns them off the folks who do not want anymore trauma. When you're deep in that mindset, you're not much better than a troll, really, and about as effective.

Yes, mental health/physical trauma is a real and valid reason some folks will not engage with political content of any kind.

Want to be an effective activist?

Online is never where it is at. You are simply not going to move people here. It won't happen. The need for the protective bubble is just too strong. You can use your platform to spread information, activist activities that are happening offline or specific ways people can help themselves and others, which people can then choose to participate in by sharing with their circles. That's it. That's what you can do here. If something goes viral here, it won't be because you pushed it on folks, judged them. Made them feel bad. People have to walk by themselves. They can't be forced along.

If you really need to feel some movement in the world, get involved locally. Join a school board. Library board. Volunteer at food banks, community gardens. Setup a booth at the mall or other community location and learn how to engage with people directly. More people will just walk on by, but once in a while, someone will come up to you and really want to know what's up. It doesn't feel rewarding or cinematically revolutionary, but that's how it's done. You can't start with a massive audience from day one. It's one to one to one to one until there are ten. Until there are twenty. Until there are a hundred.

If you need to go a step further, help a labor union. Join the picket lines. Encourage others to join unions. That's big right now and an effective way forward.

And don't forget that a huge part of what is going on in this world is a lack of compassion. A lack of humanity toward others. Everyone needs it. We need love and gentleness and kindness. If your activism doesn't start there, it won't end there. You may not believe it because you live in your own bubble of Rightness. If you think other people's suffering justifies you being a dick, you're not helping them. Donate to their GFMs. Encourage others to. Kindly. *That* helps.

Online is where we archive. Where we keep track. Where people find solidarity in the things that keep them going. That keep our humanity intact. That's the best of it. The worst is when we stomp around on it and tell others how they should feel and how they should live. That's not activism. That's policing. If there's one thing activism should never involve, it's policing others.

I'm a good twenty-odd years in this game now. I work in my community and my state and I'm telling you: you're not going to change the world online. The movements you have seen that seem to arise and build awareness? Online was incidental. It wasn't what made it happen. Bitching at people for "not caring enough" not sharing enough trauma posts or what not, is not what makes change happen. Nobody knows you. You're a stranger who walked into their house and told them YOU'RE DOING IT ALL WRONG and only added to their own trauma. It's not helping anyone at all.

PS: people talk politics all the time. They just might not be talking about it with you. For a very good reason.

Humble yourself a little. It won't hurt.

We need all of us in this time. Set a better example. Let people come to you. Go out and meet your neighbors. People need connection, not judgement. That's how this works.

I am actually begging some people to just let some spaces exist untouched by real-world issues and horrors.

Like I've lost count of the amount of times peaceful game or fandom servers have been ruined by people stampeding in with political rants, bitching about world issues, demanding internal activism, demanding vent channels so they can whine about their shitty parents, ect.

Like. Respectfully. Not every single space has to be inclusive of and welcoming of outside topics. The real world sucks. We don't needed to be reminded of that absolutely everywhere.

[cosmowgyral]

A Beast's Drink~ Christmas Special Story

𝑺𝒊𝒍𝒗𝒊𝒐 & 𝑨𝒛𝒆𝒍

This is a fan translation so please don't expect it to be 100% accurate. Creative liberties have been taken. All content belongs to Cybird.

One winter day, as Christmas was nearing in Benitoite….

Azel: I knew about the Christmas celebrations, but this is so gorgeous and wonderful. It smells like money.

Silvio: Is this okay? A God is celebrating the birth of a God.

Azel: Is that a problem? I always have had faith in you, Prince Silvio.

Silvio: That was not what I was talking ‘bout.

Silvio: Even so…ya still ain’t drinking alcohol.

Azel: I don’t drink alcohol, but I am having juice in a wine glass to show my respect to the God of Wealth.

Azel: Please allow these fine alcohols to be offered to the God of Wealth.

Silvio: We’ve prepared the offerings and everything else.

Silvio: Also, if ya wanna show respect, stop calling me that. That’s downright disrespectful.

Silvio: So, what do ya want?

Azel: What do you mean? 

Silvio: Ya came all the way here at this time of the year. There’s gotta some reason behind it.

Azel: Christmas

Silvio: Huh?

Azel: I came to see the Christmas celebrations.

Azel: It is something that does not happen in my country.

Silvio: Hah, a God himself is inspecting the religious festivities of some other country? It ain’t easy being a living God.

Azel: Oh I am serious.

Azel: In Tanzanite, my birthday celebrations are somewhat similar to the Christmas celebrations here.

Azel: But unfortunately, we do not expect the same amount of commercial benefits as Christmas.

Azel: In that aspect, Benitoite’s Christmas is truly splendid.

Azel: It encourages consumption of cakes, alcohol and other lavish meals, and also stimulates the desire of purchasing things under the pretext of ‘gifts’.

Azel: Especially when it comes to seasonal foods and items. They are the ones of most value as customers always rush to buy them.

Azel: There’s no reason to not have this.

Silvio: You’re the same old greedy bastard.

Azel: And that’s not all.

Silvio: Huh?

Azel: On the surface you’re a billionaire, but on the inside, you’re a kind-hearted man like Santa Clause..

Azel: Seems like this God, who has a philanthropic spirit and abundant wealth, distributes presents to the poor every year.

Silvio: ….....

Azel: You understand what I mean, right?

Silvio: Is this it? A new threat?

Azel: Not at all. It's just a simple request.

Silvio: Sorry, but Santa Claus only gives presents to ‘good kids’.

Silvio: In other words, you aren’t eligible for the distribution.

Silvio: In a lot of ways..

Azel: ………

Azel: That really hurt me. I am a very good and merciful God.

Azel: I don’t think I’ll be able to recover from this unless I receive compensation.

Silvio: Huh? A good person? You?

Silvio: Ya sure know how to use your words. You should quit being a God and become a con-man instead.

Azel: When Prince Silvio says that he wants me to become his personal con-man, it makes my heart waver.

Silvio:  Don’t let it waver. The hell’s a personal con-man anyway?

Azel: He’s like a supreme blessing, always by Prince Silvio’s side, granting him protection, money, and gifts.

Silvio: He seems like a curse.

Azel: Saying God is a curse….is it okay if I demand double the compensation?

Silvio: Sure, by all means.

Azel: I would appreciate a Christmas gift then.

Azel: Good things come from showing your devotion to God. For instance…

Azel: The true identity of Benitoite’s Santa Claus will remain shrouded in mystery forever…

Silvio:  Hah, you’re asking for hush money?

Azel: You are actually having trouble, aren’t you? Some of the kids seem to have noticed.

Azel: I can protect their innocence by wrapping them in dreams. It’s not a bad deal.

Silvio: Ya really are perceptive.

Azel: I have a principle of never missing out on big-money opportunities.

Silvio: Fine. I’ll give ya the gift ya want, so work hard to make up for it, my personal con-man.

Azel: As Prince Silvio wishes.

This is my first translation of a full story so there might be mistakes here and there.

I hope you guys enjoyed reading and re-blogs are appreciated! ♡

Video credits: @otomehoneyybearr

[phantomrose96]

(A Breach of Trust)

[I am putting the rest of the ask under a ReadMore because it IS long [and now super-long with my responses added] but I am biting and chewing this ask I am biting everything it has to say I love this ask I have things to say]

But yes responding to this first chunk! First THANK YOU second I loved writing just the inherent comedy of each chapter being like "[Scene 1] Ritsu spitting blood: I have to save my brother. He's dying. [Scene 2] *Happy domestic montage of Mob petting a kitten and maybe drinking some hot chocolate*" It was a great way to keep some emotional balance in each chapter and also. Funny.

I was crawling the wallllls getting to the makeshift reveal. I think it was about 5 years between coming up with it and getting to the reveal. So I just had to bite my tongue and dodge any suspicion in Makeshift's direction leveraged in the ABoT discord (ABoT discord! BTW! If you want)

I ended up making this to channel the energy somewhere

[Rest of ask under the cut!]

i was nervous for a hot second early on (around when reigen first takes mob in) that it was gonna be the kind of story that would get frustrating because "oh if the characters literally just told each other anything it would all be fine" but i didn't end up feeling that way at all? like yeah a lot of the plot relies on characters not knowing things and technically a lot could have been solved if idk all the characters decided to meet up and sit in a circle to politely explain everything to each other but it never feels like that should happen. even besides them all generally having reasons for lying or not explaining things or not talking to each other it's like. all their decisions feel very natural even when they're bad or unreasonable, and also crucially when the characters do learn things or w/e it usually doesn't fix things (ie when reigen learns mob's real identity and tells mob the truth and it kind of fixes some problems but also adds a host of new ones). in general despite it being a story that hinges on all the characters making bad decisions it rarely gets aggravating bc all the choices they make are understandable and make sense for them -- it doesn't feel like anything is happening simply because the plot demands it. everything is constantly getting worse but that's because the characters are making it worse it's not just Happening. and then the characters have to confront and deal with the consequences of all their actions and learn from them and it's very satisfying

YEAH!!! YEAH YOU GET IT!!!!!!

It is VERY important to me that the story in ABoT is character-driven. There should virtually be no "it happened because the plot demanded it." If it happened, it happened because a character's choice caused it. And if a character made a choice, it was due to their own motivations and not because the plot demanded it.

So, YES, there is this scenario where so much of what is happening comes as the result of each character having, at most, a 20% understanding of what's going on. But the withholding of information, CRITICALLY, cannot be because of Idiot Plot reasons.

Reigen "could" just ring up the Kageyama's and send Mob home, cutting short the first like 2/3 of his and Mob's arc. But he doesn't. And not because he's an idiot. He tried. Mob freaked out. And that was a good enough reason to just delay this until tomorrow, surely. But we watch as Reigen gets to experience was feels like genuine accomplishment, genuine joy, genuine meaning, by helping this kid experience life again. From the very start that's what Reigen wanted--to feel like he mattered. At the beginning this is what drives him to take up the Tetsugami case, despite knowing it can get him killed. (Because maybe Reigen can do something, this time. It's not just another doomed marriage or unsolvable missing person. Maybe he can make a difference. Maybe he can matter.)

And it manifests in what looks like heroics, but in the case with Mob, it drives Reigen to stall... more and more. He knows on some fundamental level it's wrong to be keeping Mob this long, but he can justify it in how this IS what Mob wanted.

And the same extends to the other characters... Tetsuo doesn't tell Reigen about Shigeo Kageyama's link to the Mogami case because he can't bear to admit HE was probably Shigeo's captor. Mob keeps secrets about Mogami because Mob knows he "killed" Reigen's "friend." Ritsu withholds information because it's the only power he has, and giving up information allows other people to stop him. Gimcrack and Slipshod keep quiet about Mob's location because their free lunch would end if they told.

And when these characters make bad decisions instead, it is CRITICALLY important to me that those decisions were the organic result of that character's complexes, goals, misunderstandings, and absent information. It's a train wreck and God Dammit I do everything in my power to ensure each character is their own conductor.

and the Themes. okay first of all i am a huge fan of stories that are like "no, heroic sacrifices are Not the answer, please stay alive so you can actually get better and fix your mistakes and be there for the people you care about", so obviously i adored that. i loved reigen confronting ritsu about this and urging him to stay alive, and i'm also obsessed with how reigen immediately Does Not Take His Own Advice. reigen's self-sacrifice plan makes a lot of sense with his character and given the circumstances it's definitely understandable why he and teru would be willing, however reluctantly, to resort to that, but of course it's not that actual solution because that's the whole point. (shout out to mogami being the one to save him. congrats on accidentally doing one (1) good thing.) reigen, ritsu, mob irt to being imprisoned rather than death -- none of them can just sacrifice themselves and expect that to fix everything and everyone to be fine without them, because that's not how this works. (also i can't wait to see ritsu inevitably be pissed at reigen about him trying to do exactly what he talked ritsu out of and reigen having no excuse except "yes i know, i am a hypocrite, please do as i say not as i do.") the story is dark but it's also so full of hope -- you can live, you can heal, you can move forward from all of this, no matter what you've done or what's happened to you.

YES!!! ANOTHER RESOUNDING YES!!!!

I've talked in the ABoT discord about how Reigen's sacrifice didn't work because it couldn't work. Because, if Reigen intentionally killed himself in order to end Mogami too, and Mob was saved and went home, then that means you DO save what you care about by sacrificing yourself. Which would be fine in other stories, but not this one.

ABoT's message has pretty loudly been "you don't save things by sacrificing yourself. you save them by living long enough to fix what you've broken." And even when Reigen is the one SAYING this to Ritsu... he doesn't believe it for himself. And he does not get to get away with not believing it for himself.

In earlier planning stages of the Reigen sacrifice scene, my plan was to have Reigen's knife slip before he could slice his throat (palms sweaty, grip slipped, parallel to what happened in the struggle-for-the-knife in the original chapter 8 Reigen-vs-Tetsugami scene).

But I thought about that and I said "No, actually." If Reigen fails because his palm slips, that suggests this COULD have succeeded, and Reigen just botched it is all.

So instead, the scorching fire around them (the blaze Reigen set) has dehydrated him to the point that his sweating has stopped. He is salty dusty skin and dry lips and his grip on the knife handle is perfect (anti-parallel to the first struggle for the knife scene). His execution is perfect. Reigen sacrifices himself perfectly.

...And then it's Mogami, who is well-practiced at controlling a maimed possessed body, who snatches back control and cauterizes the wound shut. Mogami (the antagonist of this story) cannot be defeated by self-sacrifice.

There is no "if only Reigen did it right" ambiguity. There is an absolute statement about where the themes stand.

(And yes, I'm sure Ritsu will have only positive emotions about what Reigen tried to do once this is made clear to him. :))

one of the other themes i found most interesting was the theme of lies and people trying to act like something they're not, and how that factors in to all the characters' stories. of course mogami is right there (and the parallels between him and reigen in how they both lie to mob for different reasons are super interesting) but i was particularly thinking a lot about reigen, teru, and ritsu and the different sorts of false lives they live -- reigen the con man playing the part of the confident, powerful psychic, constantly lying about his abilities and his accomplishments; teru keeping up the appearance of being totally in control and untouchable, surrounding himself with friends he can't stand and a girlfriend he doesn't care about; ritsu trying to maintain his reputation as the perfect, model student and constructing increasingly elaborate lies to convince his parents that he's doing fine.

i was thinking especially abt the parallels between reigen and teru -- their identities as liars are both emphasized, literally having teru saying "i was lying. i lied to you. i'm a liar" and reigen saying "i lied to you. i've been lying the whole time. i'm a liar" in the same chapter. both of them have grown accustomed to being alone and having a life that's more an expertly crafted facade than anything with substance, but both find in their respective kageyama brothers someone who they genuinely care about -- and they both doom these relationships from the beginning because they can't let go of the facade they're used to keeping up and their desire to feel important/superior. teru continues to be the same smug, uncaring asshole he's designed himself to be even after he starts to see ritsu as a friend, and because of this ritsu remains antagonistic towards and distrusting of him; reigen pretends to be the "21st century's greatest psychic" with mob even when he's starting to care about mob and want him as a permanent fixture in his life, causing things to fall apart when he reveals the truth. they both say the right things to point mob/ritsu in the right direction, but the way they act does the opposite: teru tells ritsu the dangers of what he's doing and reigen tells mob that they should call his family or the police, but at the end of the day, no matter their good intentions, teru likes feeling superior to ritsu and reigen likes having mob depend on him, and so they're not actually going to do anything that would upset that balance. (and, of course, they reassure themselves with the knowledge that it's not their fault, ritsu and mob just won't listen to them! which isn't technically untrue, but nonetheless frames the situation in a way that ignores their own role in it.)

Aaaaaaaaaaaa honestly I don't even think I have anything to add here because your analysis is already so 🤌🤌🤌. They are Liars they are Liars living through a Mask they are Liars who Say one thing and Do another they are Liars who convince themselves this Lie is fine.

all the characters are so good but my favorite has to be ritsu his whole storyline is fantastic. from the start i was enjoying the fic a lot but it was when it started to really get into ritsu's story and his whole deal that i started being like "oh yeah this is the good shit." seeing him go further and further down his self-destructive spiral, constantly digging himself deeper as he hurts himself and the people around him more and more, is so fascinating and painful. and then seeing him get better and start actually wanting to live as he talks to reigen and later teru! and then in the confrontation with mogami when he decides once and for all that he wants to live and remember and try to find a way to fix his mistakes rather than forgetting them or giving in to them! just. he is thirteen years old and he just has all this rage and grief that he's been holding onto and repressing for so long and he finally gets the chance to do something with it, something he can do to find his brother at the low low price of bleeding himself dry, and so he throws himself into that, tearing himself to pieces and not caring who else gets hurt in the process, until he reaches rock bottom, what should be the point of no return -- but it isn't, because teru saves him, because reigen convinces him to try to stay alive, because mob is waiting for him, because he has people who care about him and he's just a desperate, hurting kid and no matter how badly he's fucked up he can still come back from it. just Such a compelling and painful and beautiful character arc

Thank you for stating exactly the reason I loved writing Ritsu's arc so much 😭😭😭😭😭😭😭🥺❤️

When I was about 13, I got really into Naruto and I really liked Sasuke's character. Even seeing him now makes some inner part of me point and go "It's Sasuke!" Brooding, stoic, over-achieving, entrenched in family trauma, is swayed over to the darkside because of the rage and grief he's been sitting on.

And because it's Ninja Fantasy World, Sasuke gets to do this and be really cool the whole time.

Ritsu is... actually just a 13-year-old, with psychic powers which he didn't even want after his brother vanished. He IS smart and he IS a model student and he IS powerful but... he's scared. He's scared, and he's 13. He NEEDS to be smarter than everyone (he's not, and he knows this, and it's scary) and more powerful than everyone (he's not, he knows, he's scared), because he knows that anyone with power over him can control him. And he's at his wit's end being controlled.

So he needs to be COMPLETELY in control and have COMPLETE power. And every instance that proves to him he's actually weak, actually clueless, actually being taken advantage of drives him to panic.

And he finds antagonism on all sides... Teru who loves to pick apart and mock Ritsu for every weakness he has. The spirit horde who eat him within an inch of his life. Isa trying to shut him down. His parents trying to control him.

No one is helping him with his grief... No one is finding his brother... No one is saving him... He does not want to keep living like this. And "no longer living" isn't even an option with how heavily his parents rely on him.

So what does he do. He's so alone. He doesn't have a single soul on his side. Every day is torment. ...And then he has this opportunity that shows up like "if you hurt yourself real bad, kill yourself doing it maybe, you can solve the very thing that ruined your life"

So of course he does it. He grabs onto it like a hot stove or a live wire because he's been wanting to hurt himself, and now he can do it in pursuit of the very thing which will save his brother and fix everything. The risk of dying isn't even a risk. It's an escape. He can do this and he can BECOME more powerful and he can GAIN control and he can USE and MANIPULATE whoever he wants (namely the people who've proven again and again they'll hold him down and force obedience out of him).

Of course he spirals. Of course he hurts people...

And then he finds rock-bottom. Teru chews him out and abandons him. Ritsu flips on Gimcrack and exorcises him out of paranoia (Teru turned on him, Gimcrack probably betrayed him too.) He NEARLY kills Reigen under that same absolute fit of paranoia and fear. ...And then he finds his brother. His brother. Alive.

And grabbing his brother shreds his hand. It does not fix him. It does not save him. It maims him.

And now Ritsu is nothing. Not powerful. Not in control. Not certain. He's someone who just hurts people. He's someone who destroys. He drives everyone away and they're RIGHT to leave him because of how horrible he's been. He can't save his brother, and his brother won't save him. ...So Ritsu wanders back to Reigen. The only person who seems to have a semblance of direction in this whole thing. Broken and beaten, Ritsu joins Reigen because he does not know what else to do.

But there is an up from rock-bottom. As much as Reigen and Ritsu are just The Worst to each other, it's actually that childishness in Reigen that starts to work on Ritsu... This is not a typical adult, using adult-speak and adult-authority to make Ritsu comply. Ritsu can't even fall into his typical masked-up behavior against an adult because Reigen is a fucking nuisance and an irritant and Ritsu, for all his "maturity", riles easily.

This is... really just Some Fucking Guy. A loser, at best. But it's someone Ritsu's brother cared about, and who Ritsu knows gave kindness to Mob where Ritsu couldn't. And it's someone who isn't forcing Ritsu to do anything. Reigen is, in fact, letting Ritsu make these decisions to change on his own. Teru comes back with an apology. Ritsu is staring at the chance to do better, and the chance for some future that doesn't involve killing himself.

And he gets to make that decision against Mogami.

And--here's the thing--Mogami was WITH Ritsu for so much of Ritsu's spiral. He knows what sort of kid Ritsu is. So he "knows" Ritsu will accept what Mogami has to offer...

But when "makeshift" vanished was exactly when Mogami got Mob back, aka exactly when Ritsu went to Reigen. Mogami did not get to see Ritsu's healing. So he got to be blindsided by Ritsu's ultimate decision.

and ritsu's dynamic with teru is just. so good i adored every single scene they had together. first of all they are so fucking funny. they're just these two psychic middle schoolers who both suck so bad and just cannot stop trying to murder each other on the soccer field and i love that for them. ritsu's terrible decision-making reaches new heights every day and teru's just standing there watching him and being right about everything in the most annoying way possible. literally the worsties ever <3

I have, consistently, referred to them as "the two worst middle schoolers ever". Like "you're a horde ghost and you're stuck doing the bidding of the two worst middle schoolers ever."

With huge consistency, the scenes I find funniest end up being Ritsu Teru scenes. Because they are, in fact, The Worst.

but more importantly on a serious note i am obsessed with the complicated mess that is their relationship and the way it and the reader's perception of it change as the story goes on. when they first meet things are seemingly pretty straightforward (mostly. i have thoughts which i will talk abt in a second): teru is the one causing the conflict between them by being shitty, and ritsu's just responding to it relatively reasonably. ritsu's the protagonist, the good guy, whereas teru is a morally gray asshole. them working together is a matter of necessity, with ritsu only going along with it because he needs teru's skill and power on his side and teru presumably having his own secret, self-serving motivations. standard stuff; we all know how this goes.

except then the story keeps going, and it gradually becomes apparent that things are far from this simple. it slowly becomes clear that despite teru's arrogance and callousness, he does have ethical standards and lines he won't cross -- whereas ritsu gets more and more unfettered as time goes on. it also gradually becomes obvious that teru does genuinely care about ritsu and see him as a friend (probably the closest thing to a genuine friend teru has), even if teru himself is pretty shitty at being a friend -- leading to the incredibly striking moment when ritsu himself realizes this, and his main takeaway is just that he has power over teru. by the time they have their second soccer field fight, teru has proven himself the more morally upstanding one, which is pretty wild considering the first thing we ever see him do is beat the shit out of a near-defenseless thirteen-year-old for annoying him. of course, he still isn't supposed to be fully in the right -- one thing i really appreciated about the story in general was that the conflicts between characters are rarely as simple as "this character was Right and this one was Wrong," but rather a matter of all the characters making mistakes at one time or another and then having to deal with the consequences and make amends. ritsu and teru's relationship is a prime example of that with how "ritsu made his own decisions and those decisions were Very Bad" and "teru treated ritsu poorly and never actually did the work to make himself someone ritsu could actually trust or would want to listen to" are facts that coexist and both get addressed. the second fight is a masterpiece of a scene in basically every way, but one of my favorite aspects is how teru is desperately trying to reach out to ritsu but is hit with the truth that it's too late for that, that he should have been doing this the whole time, that all this is partially his fault. and in this scene, he fully accepts that, gives in and decides that ritsu is right: it's too late to make amends, it's too late to save ritsu. but it doesn't end there, because this is not a story in which things are simply unfixable, and so instead teru comes back, decides to make the hard choice and try to fix things instead of turning his back on ritsu for good. during the fight, teru says he wants to help ritsu, to sacrifice for him, and ritsu scoffs at him and rejects the idea -- but then teru actually does it. he puts his money where his mouth is and reaches out to ritsu and offers his own psychic energy to save ritsu's life, along with apologizing to him and offering his help to find mob. like i dunno what else to say that's not just summarizing every scene they have together but god i love their dynamic and its arc. i really hope they manage to become actual friends now because god knows they could both use more (read: any) of those. the text exchange they have at the end of the most recent chapter is delightful i love that they bond by insulting reigen i think that's great for them.

Yes yes yes yesssss. It definitely felt like the most ambitious thing early on in ABoT, where I had early-story Ritsu and early-story Teru, and I wanted, somehow, to pull off "they basically swap moral grounds by their second fight."

It's easy enough to just SAY "Ritsu spirals and does progressively worse things. Teru starts to take objection to these more and more until he's the one who thinks this whole thing has gone too far."

And, harkening back to earlier, this kind of plotline has to be deeply rooted in their characters. There is no "Ritsu becomes evil just because" and there is no "Teru becomes good just because."

So they needed to be consistent in their own characters, but evolving under the pressures of the story. Ritsu I talked a lot about early up, how deeply he fears not having control, how much repressed frustration he has over the ways everyone in his life has failed him. And he's never allowed to speak up, or god forbid lash out, because it is his JOB to be the surviving child. Perfect, mature, composed.

Ritsu takes this WILD leap into something insanely dangerous which he has no understanding of, nor power in. Teru IS his first big painful wake-up call with how summarily Teru curbstomps him. Ritsu goes home desperately wanting to quit.

He pushes through it, afraid and knowing he has so little power and control. Then there's Teru, exacerbating this. Because he loves to point out how weak, clueless, and not in control Ritsu is. He jabs and he teases and he chews Ritsu out and he knocks Ritsu down because Teru cannot pass up the chance to prove he's better.

So... of course Ritsu eats up the first opportunity he's given to improve his power over Teru. Gimcrack offers to train him--Gimcrack who's far more supportive of Ritsu than Teru ever is--so of course Ritsu accepts. Every single tick of power in Ritsu's direction is security. And Ritsu is consistently rewarded. He learns to manipulate, and it rewards him with control. He pushes Teru away and it rewards him with independence. He lets the whole horde possess him and it rewards him with power.

And then there's Mezato in all this, threatening to rip away his control. But he can beat that out easily with possession. And if he possesses people, why should he care? Possession feels nice, to him. That's not even a fraction of a fraction of the pain he's been through. He can do this to other people, because possession is POWER.

And, ahhh, possession was such a great thematic vehicle to spin the Ritsu-Teru face-heel-heel-face turn around.

The first cracks we see in Teru's demeanor are all, subtly or not, around possession. When Ritsu almost blasts the possessed woman (Ritsu, panicked, uncertain how to handle things) Teru tackles him and screams at him. (Killing a possessed woman? Teru oh Teru why might that terrify you?)

So Teru DOES have morals. He does have limits. But of course, his first exercise of this is tackling and SCREAMING at Ritsu for fucking up. Just another tick mark in Ritsu's check list of feeling powerless and antagonized.

And the next time, when Ritsu offhandedly mentions he's had his parents possessed for the night while he and Teru were at the meat warehouse... well it's out of focus, since Ritsu is our POV character and he doesn't notice, but Teru freezes. Teru questions this. Teru, instead of letting Gimcrack phase him through the wall (and he was resistant to letting Gimcrack touch him to phase him in in the first place) Teru instead blasts a hole through the warehouse wall.

But... Teru has a plan. When Isa catches Ritsu in the call center, Teru confiscates Ritsu's spirits and (behind his back) blackmails them into never accepting a command from Ritsu to possess someone. (Teru is also a control-freak, and rather than try to talk to Ritsu directly about not possessing people, he just uses manipulation and threats to make it happen).

So now, Teru can relax, surely :). He invites Ritsu along for the movie. He's mocking and insufferable and cruel to Ritsu but, hey :), that's just Teru proving his place in the hierarchy. He... actually does want Ritsu there. He actually does help Ritsu (cauterizes his wound without asking). (It's still power-plays. Still power-plays all the way down which Ritsu hates.)

And Teru... incorrectly... starts to entertain this idea that Ritsu also thinks what they have is friendship. And after the ice cream thing, is when Ritsu leans into Gimcrack's offer to learn how to start being manipulative like Teru is.

So Teru notices NOTHING is wrong for a long time, because now Ritsu is faking it. He doesn't notice until it is much too late. And, frankly, it was ALWAYS too late for Teru to take the moral high road. And some part of Teru realizes this because what he sees in Ritsu, he realizes, is what it looked like to watch Teru from the outside. Teru was ALLOWED to be manipulative and horrible because Teru, himself, always knew he would stop before crossing a real moral line. (Not that Ritsu knew this.) And now he's staring at Ritsu, a true threat who won't listen to reason and who CANNOT reliably be expected to back down before a line is crossed.

And... to THROW this in Teru's face in the FORM of Ritsu letting every spirit from his own horde possess Ritsu during the fight, giving Ritsu the upper hand.

I always knew, for this second fight, the tables would need to be a lot more evenly matched, with Ritsu coming out ahead more often than not. But I also don't like "some character is morally questionable now, and for some reason that's made them stronger than the master character who pulverized them earlier."

But POSSESSION. The motif that all this conflict is hanging upon, used as a boon on Ritsu's side to smash Teru into the ground, to physically and MENTALLY rattle him to the point that he's lagging on Ritsu's attacks and incapable of subduing Ritsu until Teru puts aside his psychic powers all together...

AND JUST... Teru all the while being forced to realize he IS not blameless in this. That every horrible, callous remark he made to Ritsu was not directing Ritsu to the right path or proving himself cool and powerful. They were all instead only cementing Ritsu's hatred of him.

And Teru does not want to accept this at first. He wants to think he did the right thing, ultimately, and it was RITSU who rejected him. And this is where the scene with Slipshod comes into play. Slipshod, who is shown again and again being good at pressing people's buttons. Slipshod is the one bully bigger than Teru in all this, and behind his dumb demeanor is he really really good at knowing how to get a rise out of people. He does it to Reigen while possessing Mezato. He does it to Ritsu while possessing his mother. And he does it to Teru, for fun, because he loves to rub Teru's face in the mess he created.

Which, on the plus side, was the wake up call Teru needed to recognize how consistently horrible HE had been. How much of Ritsu's spiral (and now, imminent death) happened because Teru gleefully pushed him toward it.

Teru's one and only friend.

After Teru swore off friends and loved ones, because they can be used to hurt him.

So it is a big moment, and a big decision Teru makes, when he chooses Ritsu. chooses apologizing. chooses making himself vulnerable (VERY LITERALLY, with how the power transfusion drains Teru to nothing). Teru chooses to care.

And ultimately, it's not even that Teru went from the bad moralless one, to the moral one. He always had these morals. He had these uncrossable lines since day one. But he hid it behind his horrible antagonistic demeanor and the cracks did not come through until he realized he lost control of Ritsu. Teru's ACTUAL heel-face turn comes in him realizing how awful his demeanor was and making amends for that.

i'm actually not done talking about them though because it's finally time for that tangent about teru and ritsu's first fight on the soccer field now because i just reread it while writing that last section and it's so interesting actually. like okay, like i said before it does set teru up as the problem -- in that scene teru is very much the aggressor; he's being a complete asshole for no goddamn reason, with absolutely no compunctions about beating the crap out of some random kid, and ritsu is the scrappy underdog determined to fight back despite not really having the means to. but then there are the moments hinting at more complexity to teru -- him literally stopping the fight to teach ritsu to use his barrier, giving ritsu the makeup after the fight, and of course his decision to spare ritsu in the end. and then on ritsu's side, he almost actually kills teru -- the only reason he doesn't is that teru manages to break free. (awful awful au idea: ritsu actually does kill teru here. would that be fucked up or what) something that stood out to me when rereading it is that despite teru repeatedly saying he'll kill ritsu, and ritsu's internal monologue being very convinced that he's in mortal danger, teru's reaction to ritsu actually almost killing him -- "you really are trying to kill me. we're done", etc -- seems to imply that his threats were more him just talking a big game, expecting ritsu to give in and surrender eventually, and he didn't actually intend to kill him until ritsu gave him an actual reason to. especially interesting to me is the bit where teru asks ritsu if he really meant to kill him, because ritsu's narration and teru's actual actions are kind of at odds -- ritsu tells teru he meant to do it because he thinks him scaring teru is what's making teru hesitate, and that he needs to make teru think he's dangerous in order to get him to leave ritsu alone, but teru's actual response is the opposite, attacking ritsu more fiercely because "there's no reason for [him] to hold back". in general the scene very cleverly sets up the core difference between them: teru is pretty awful but does have firm moral standards, whereas ritsu is desperate and willing to do just about anything if he thinks it's the only option. also the parallels and contrasts with the second soccer field scene are excellent -- the role reversal with the strangling but also how when ritsu does it both the initial act of starting to strangle teru and the fact that he doesn't end up killing teru are both unintentional on ritsu's part, but when teru does it it's a very intentional choice both to do it and to not go through with it; "we're done" said by teru the first time when he's preparing to kill ritsu and then the second time after he's decided not to. have i mentioned that this fic is good because this fic is good. i'm running out of ways to say that

YES!!!!!! ANOTHER RESOUNDING YESYES YES.

I have slightly pre-emptively answered this question by mentioning it above but Teru demonstrates this hypocritical "rules for thee but not for me" because, internally, Teru knows HE will always stop before the line is crossed.

BUT RITSU DOES NOT KNOW THIS. THERE IS NO REASONABLE EXPECTATION FOR RITSU TO KNOW THIS.

So Ritsu, and we the audience, do NOT know this during the first soccer fight. Teru is going to kill Ritsu is a very reasonable conclusion to draw from the way Teru goes all out on Ritsu. Ritsu is terrified. Out of his depth. He's panicking. This kid is going to kill me and he has every reason to believe it.

We don't know, unless (like you) you look at the smaller details, that Teru is not intending to kill Ritsu. He's talking big. He's trying to force submission in Ritsu. He's not trying to kill.

But Ritsu does go for the kill. Because it is the single break he gets and it's perhaps his only chance to survive (he thinks), and he does, IN FACT go for the kill.

Teru breaks free and he does... even give Ritsu the chance to clarify if that was an intended kill-shot. Teru is giving the chance for Ritsu to essentially say "Sorry, accident, don't escalate to trying to kill me." But Ritsu misreads the room, like you point out, and this is when Teru gets serious.

Strangulation, in the first fight and in the last fight. Exactly as you say. Accidental, by Ritsu, the first time, and accidental in letting Teru live. Intentional, by Teru, the second time, and intentional in letting Ritsu live.

"WE'RE DONE" ECHOED. TWICE. In their first fight and their last. With entirely different meanings.

okay those were my big points but i also had a bunch of smaller thoughts so here's just. a list: - i just think it's really funny that teru saves ritsu by punching him in the chest with psychic power on not one but two occasions. literally their dynamic in a nutshell. (also. the way during the time at the mall ritsu responds by being like "did you cauterize me" really gets to me for some reason. he sounds so offended. like you can't just cauterize someone's wound maybe he liked bleeding all over the place you don't know!) (actually wait that thought is also very funny considering what happens with mogami and reigen later. you really can't just cauterize someone's wounds that's very rude. they worked hard to be that grievously injured) - okay so the burger scene. first of all generally a great scene second of all obviously it's a parallel to the scene with mob and the milk (reigen saying "have mine too" and all that) but also i love the parallels to the scene with isa in the coffee shop (also a great scene btw. have i mentioned this fic is good). they're both scenes in which ritsu has a loud emotional breakdown in a public restaurant (love that that happens twice. ritsu honey can you maybe not) with a major focus on ritsu's insistence on letting himself suffer and refusing any kindness he's shown, but they show ritsu at very different points in his story and have very different outcomes -- isa can't manage to get through to ritsu, but reigen can. ritsu refuses the croissant till the end, but he eats the burger. (sorry to add another side note but i love that that was a very serious sentence i just typed about a very emotional character arc.) also the symbolism in the fact that in the coffee shop scene, ritsu's explosion of psychic powers freezes and then spills his hot chocolate, rendering it undrinkable, but then in the burger scene when he blows up the ceiling the dust explicitly doesn't get on the food, so he can still eat it. good shit - i'm trying to avoid going through every single line or joke i liked one by one but i will say. the "this--" "reigen." "reigen" jokes were both incredibly funny on their own but the fact that they're like 30 chapters apart is what really kills me. the dedication. i saw the second one and was thinking "didn't that joke happen before. when was that. wait was that literally all the way back with tetsuo". countless plot events and several irl years may pass but reigen will never catch a break - the "FUCK OFF" tag reigen made being the one that they exorcise mogami with. perfect - love that ritsu is indirectly responsible for teru's girlfriend breaking up with him (good for mei honestly. sure teru wasn't actually cheating but his ass deserved to get dumped) and i like to imagine that teru never lets this fact go. he's not particularly upset about the breakup but he WILL bring up that ritsu ruined his relationship at every possible opportunity purely to annoy him

I THINK YOU MAY PERHAPS BE THE FIRST PERSON TO RECOGNIZE THE DOUBLE-CAUTERIZATION, and the intentional joke in Ritsu, the first time, declaring "Don’t… perform psychic medical procedures on me without my permission, okay?!" Like sorry bud, this is not the last unauthorized psychic medical cauterization Teru's gonna perform on you.

But not every unauthorized medical cauterization can be a win. Turns out when Mogami does it it's kinda mean >:(. But also necessary, for a not-dead Reigen, so actually thanks Mogami.

ABSOLUTELY THE "HAVE MINE TOO" INTENTIONAL PARALLEL BETWEEN THE MILK SCENE AND THE BURGER SCENE. I'm always glad when someone notices the repeat phrasing that ends both those scenes.

And aaghhhhh I could write a whole other essay about the symbolism that food plays with Ritsu's plotline, but in the smallest nutshell how it tends to represent someone reaching out with care and how often Ritsu rejects it. One public restaurant psychic outburst rendered the offered food unconsumable and the other one intentionally points out the way the food (burger) avoided the destruction :')

THANK YOU YES. "This--" "Reigen." "Reigen." as a repeat joke tickles me so much. Just Some Guy energy. Could've played the most pivotal role all night but he'll still end up somewhere next day where someone needs to figure out who he is. Reigen is here too, btw. His name is Reigen, btw.

Fuck Off tag was delightful... It started as an inside joke for a very early comic that @sandflakedraws drew (and then later redrew), of the (chapter 5 or 6) Reigen Tetsugami confrontation. The ineffective tag Reigen sticks to Tetsugami's cheek has, in katakana, "fuck off" written on it. Hilarious enough joke for me, years later, to incorporate it into the story.

Re: the girlfriend thing. I've joked before "if I had a nickel every time evil spirit possession was mistaken for an affair in ABoT I'd have 2 nickels. Which isn't a lot but it's weird it happened twice." But yeah, Ritsu, you asshole. You cost your bro his girlfriend.

i could just keep going but at this rate i'm going to be going back through the entire fic and just talking about every single scene so i should probably stop before this gets any longer. basically what i wanna say though is that the fic was very good, thank you for writing it, it has given me brainworms. once again i am so sorry for the length of this ask

THANK YOU!!! I think I just spent like 2 hours writing this response because, as you can see, I REALLY LIKE talking about this stuff haha!!

[et6rnalsunshine]

࣪˖ ִ⭑ ࣪ avoidance (chris sturniolo)

⭑ soph's note. second post hi. idk how i feel about this, ive never written something like this so hopefully it's not that bad.... also, thank you for almost 70 followers already and the likes on my last blurb, appreciate the love so much ♡

"is this what we do now? have sex, and not speak about it?" you ask, the question hanging heavy in the air as you look over to chris, who pauses his actions on his phone. he stays silent, not responding, but you knew he had heard you. you look away from him, sighing quietly as you glance around the slight darkness of the bedroom. you were tired of opening yourself up to chris, just for him to push you away.

"what?" he responds after a moment, looking over to you, but he knew what you meant.

you scoff slightly, looking over to him and sitting up slightly on the bed, "you know what i mean, chris." you had tried to talk to him. over and over, but it was like a wall had been built between you. one that felt impossible to break down.

"what 'd you do that for?" he murmurs, still staring blankly at his phone. you furrow your brows at his stupid question, opening your mouth to speak before he interrupts you. "make things into a big deal, i mean. why do you want to keep complicating things?" he looks over to you, setting his phone down.

"do what? i don't want to complicate things," you correct him, slight frustration bubbling up. "i just wanna talk, chris. can't we just talk, for once? you don't get to push me away like this. it isn't fair."

things were complicated, sure, they always were with chris. in the beginning, it felt like everything was falling into place. his words were sweet, wrapped in promises, ones that lingered even after he said them. for a while, those words felt like enough. even if there was no label on your relationship, it was enough. but then, slowly, something began to shift. it's like he realized how close he was getting to you, and immediately started pushing you away emotionally. the way his gaze would linger on you, but never quite meet your eyes. he was always there, always close, but never really there. not anymore.

every time you showed him the parts of yourself that you kept hidden from everyone else, he would pull back a little more, retreating into himself. you had began to wonder if maybe, you were the problem. if your presence was too much, too heavy for him. but it wasn't. you weren't the problem.

the silence stretched between you after you spoke. the air felt thick as he sighed at your words. no, it wasn't fair. but that didn't matter to him, did it? you could feel it—his avoidance. it was a feeling you had grown familiar to when it came to chris.

"seriously, chris. i'm tired of acting like everything's fine." you speak again, needing him to talk to you, to at least give it some acknowledgement. you look over to him, silently begging him to open up, to say anything. instead, he looks down at his hands, his expression unreadable.

his words full of affection, promises that were never quite fulfilled, had turned into nothing more than distant echoes. you had been vulnerable with him, you had opened yourself up in ways you hadn’t with anyone else, and yet, it was like he was too afraid to let you see him as he really was. you wanted to be there for him. you wanted to show him that you cared, that your care for him was beyond lust. that you weren't going anywhere. but he wasn't letting you in. and you realized, maybe he wasn't going to. maybe he couldn't—no. maybe he didn't want to.

and so, you sat there, both of you in that dimly lit bedroom. two people who had once been so close, but now felt like strangers. you hear chris let out a heavy sigh, meeting your eyes for a moment before getting up from the bed.

"where are you going?" you ask, disappointed as you once again had no answer to the questions lingering in your mind. you watch, a frown plastered on your face as he grabs his car keys and phone from the bedside table.

"are we seriously talking about this again?" he huffs to himself, running a hand through his hair before answering your question, "i just need to clear my head. ill be back," he mumbles before leaving you there, the bedroom door left open as you hear his footsteps retreating and eventually the faint hum of his car driving away.

you were left with nothing but your thoughts, the quiet hum of the ac, and the weight of something that never quite blossomed. 

© et6rnalsunshine

[thelawfulchaotic]

Being a jerk to someone part of a different group (especially a morally judged group) is a grand old human tradition.

If violence is infliction of harm, the words you use to inflict harm on people are violent words.

Honestly, folks, consider removing the judgment words from your vocabulary. Not only are they violent, but they’re nonspecific and counterproductive — they invoke defensiveness and hurt.

“Cis guys suck”

vs

“I feel anger towards cis men, *because of* specific behavior x and y”

“Down with cis”

vs

“The people I work with have difficulty understanding gender identity and it often frustrates me because i want to be accepted/I want it just ignored/I find it triggering”

Okay these sentences are a lot longer, yes, much less efficient, but they put the attention where it needs to be: on SPECIFICS. If your friend bro hears you talking about how guys keep manspreading on the bus and hitting on you while you’re listening to music, he won’t be like “wow this is unpleasant for me”, he’ll be like “ah these are things I do not do because I am not an asshole and I know I am still accepted here.”

It also places emphasis on what you’re actually feeling and why you’re actually feeling it. Name! That! Emotion! Many people have trauma and issues recognizing what emotion they are feeling and practice helps; besides that, you’ll be able to focus on what the problem actually is, and maybe think up something specific for a solution. Want Kyle at work to stop making a big deal out of every pronoun? This is not the same problem as Steve now refusing to be in the same room alone with you now that you’ve come out.

And notice in none of these have I said judgment words like “unacceptable behavior” or “being the worst” or other ways to judge. This is not because I have no opinions. It’s because judgment interferes with communication. It’s a tactically nonviolent choice. If you come in thinking of someone as More Bad than you, you will behave in ways that show that judgment, on purpose or not. Even people who do bad things are people and usually have some way they’re reachable. It takes a toolbox that very few of us are taught.

It feels real good to judge people. Judgment and social punishment are reinforcing — to the punisher. You feel good while doing it, so you do it again. It becomes a habit. It becomes a dogma. It’s a trap. Punishment never works, and if it briefly accomplishes its intended purpose, it always comes with a thousand more negative effects down the line. Alienation of your non-in-group friends. Entrenchment in your social groups. Echo chambers. And the inability to make anyone listen to you about anything important.

However, if someone is not engaging with you in good faith, tell them what they’re doing that makes you feel that way, tell them how it makes you feel, and tell them you will not engage further until they come to the table for real. Not punishment, just ending the discussion without any uncertainty.

Hot take but I really do think that some of y’all need to consider how/why/when/how often you’re making fun of straight people for being straight

I do it too, I’m not going to pretend I don’t make jokes about the hets, or the down with cis bus, or whatever

But I recently befriended a cis, straight dude and I have watched him be dismissed, degraded, and unambiguously insulted for the perceived “crime” of being straight — all in queer environments where he is allegedly “completely welcome” and surrounded by “friends”

This guy is not a toxic person! But I have seen him be made to feel so small and like his comfort and safety in those spaces are conditional on his silence and acceptance of being treated like a human dunk zone, and I think that some of y’all have had so much shit from straight/cis people that the second you feel like you’ve got an inch, you want to luxuriate in the perceived catharsis of bullying someone who— actually —doesn’t deserve it

And until he very, very carefully mentioned to me in private that it makes him feel bad, I didn’t even clock that I was involved in doing that, that it had become so instinctive for me to make casual jokes like that, and that— well meaning or otherwise —I had been contributing to an environment that made someone I really really like feel like shit

So, I dunno, I think maybe some of y’all should think about that too

[1moreff-creator]

Okay listen, listen. Eden's Garden CH1 was great and I loved it and I'll make a more detailed analysis post about it at some point. And Eva in particular is fantastic and my favorite character. There's just- There's just a little, little issue I have with her FTEs, and if I don't talk about it I'm gonna explode. 

Spoilers for P:EG CH1 and Eva's FTEs.

CW: I am about to be a Massive Fucking Nerd on main.

This post was originally going to be about how Eva's papers, the way she describes them, sound like they kinda suck. But then I realized that the way she describes the Riemann zeta function… is just wrong???? Like, it doesn't converge to- EVA WHAT THE FUCK ARE YOU SAYING?!?!?!?!

Like, look, I don't think "Eva sucks at writing papers actually” is the conclusion I'm meant to reach after doing her FTEs. I'm also pretty sure the mistakes she makes when describing the Riemann zeta function (henceforth "zeta function” for brevity) are just mistakes on the writers’ part, which is fine because that thing is very confusing. 

And to be clear, Eva being bad at writing papers doesn't mean she's actually bad at science. I mean, she apparently solved the goddamn Riemann Hypothesis, and doesn't even think it's that big a deal!

Eva, sad [3rd FTE]: They'll put it on my gravestone: here lies the girl who could barely solve Riemann's stupid hypothesis. 

(Thank you Ani from youtube for uploading these things it makes citation so much easier <3)

Girliepop if I solved a problem that's stumped mathematicians for over a hundred years (which carries a million dollar prize btw), you bet your fucking ass I want that on my gravestone! And look, I know that this is not necessarily due to her doing more impressive stuff in mathematics. That it's more so because she's internalized what other people think about her skills, and since a lot of people erroneously believe math is uncool she doesn't think this is as big a deal as it is. But the fact that she managed to solve this thing at all, not to mention at eighteen years old, already puts her in contention for best mathematician of the damn century. And that's incredible, because math is badass. 

In short, Eva's cool and a great mathematician. But the way she talks about her other work, the papers she wishes got more recognition, makes me really doubt her actual skill as a writer of these papers. Let me explain. 

There are three papers Eva mentions writing, or thinking about writing, across her FTEs. One about literature, another about lightspeed travel, and one about the Riemann zeta function. 

Eva [1st FTE]: Earlier this year, I wrote a whole paper on an obscure subgenre of Western speculative fiction… I spent weeks on it, expecting it to receive a lot of attention from literary critics…

Eva [1st FTE]: I could write a research paper on the theoretical possibility of lightspeed travel, but no one would care, because…

Eva [4th FTE]: …I wrote a paper about how you can use tabletop gaming to understand [the Riemann zeta function].

Now, I can't say anything about the literature paper, because she gives no details on it. I also don't know enough about literature to know how long it usually takes to write papers on it, so I'll take her word for it that working for weeks on it is notable. 

For the hypothetical paper about the "theoretical possibility of lightspeed travel", I have my doubts, but she also doesn't give enough details about what that paper would entail for me to definitively say anything about it. We'll get back to this one, though.

Meanwhile, the paper she gives the most details on is the Riemann zeta function one, and… yeah that one's trash. 

There’s two reasons I say that. One is the technical issue with the description she gives, which basically boils down to “there’s severe inaccuracies in her explanation and also she just straight up gets some things wrong,” and is extremely nerdy and math heavy to explain; and the other is a much more fundamental problem with the very thesis of the paper, which doesn’t require math to explain, but I’ll leave for later. 

I’ll start with the technical side and the things she gets wrong about the zeta function. I’ll try to make this accessible for non-math nerds, but fair warning, this is pretty difficult math so I can only do so much. That includes keeping to the tabletop analogy Eva used in the spirit of the thing. 

By the way, take everything I'm about to say with a grain of salt. I'm a third year Physics major, so while I know way more math than the average person, I am by no means an expert. I am liable to get things wrong. In fact, I actually didn't know anything about the zeta function or the Riemann hypothesis before seeing these FTEs, I just researched them because I got curious about the Riemann hypothesis after seeing it show up in not one, but two fangans I've seen (it has a cameo in DR Despair Time if you're curious). However, even though I'm not an expert, I think I know enough to definitively say Eva's very wrong about a few things.

Lots of math incoming, TL;DR after the next red title

As a refresher, this is a paraphrased version of what she explains.

Eva (Paraphrased) [4th FTE]: Take 1, ½, ⅓, ¼, and so on for infinity, and pretend they are characters in a tabletop game (TTG). An enemy casts a status effect on your denominators so that they are all raised to the power of p, where the value of p is decided by dice roll. Now your characters are 1, 1/2ˆp, 1/3ˆp, etc. For your turn, you add all of your characters together, and that’s the zeta function ζ(p) = 1 + 1/2ˆp + 1/3ˆp + ... What is the value of ζ(p)?

This is good, that sum is indeed the first way to define the zeta function (more on that later), so it's correct. However, she then makes two statements. 

Statement 1: If p is higher than 1, then you get a whole number; a number without decimals. ( ζ(p) = a whole number). Statement 2: If p is lower than 1, then you get 0, “an infinite amount of zeroes.” ( ζ(p) = 0).

(You’ll notice I put that last thing in quotes. I’ll get back to it)

Now, I’m going to ignore a few minor inaccuracies which Eva likely makes to simplify the concepts, because they’re not too important. For example; you can’t “add” infinite numbers, that’s not a thing. An infinite series can converge, which is slightly different from arithmetic addition. However, the two things are close enough that, for most people, the distinction doesn’t really matter. In other words, I’m fine with her saying she’s adding infinite numbers together, and similar claims. 

There's one inaccuracy I can’t gloss over, though; Eva never tells Damon which dice is rolled to determine the value of p. In math terms, she never tells him the domain of the function (the domain of a function, btw, is the set of values for which the function is defined). Are the values p can take real or complex? Can it be any real/complex, or are there restrictions? 

For the unaware, since this is gonna come up, I’ll define a complex number using the TTG analogy. A complex number is a special character born by adding together a real number "r" (one of the numbers you’re all familiar with), and another real number "b" equipped with (math: multiplied by) the Epic Tier item known as the imaginary unit “i”. This Epic item has the property that iˆ2 = -1. So basically a complex number "z" is one where

z = r + bi

where r,b are real and i is the imaginary unit. "r" is known as the real component, and "b" is the imaginary component.

(Note: All real numbers are complex numbers where b=0, but not all complex numbers are real)

In case you’re curious, these things are used in several fields, such as the study of electrical circuits with alternating current, and they appear in relation to the Schrödinger equation- I’m getting off track.

So, what dice does Eva want the opponent to roll to define p? Well, she never says it, but we can infer. She says that p can be “higher than 1,” and that clues us in that she’s probably rolling the dice of real numbers. After all, there’s no universally agreed upon definition of what it means for a complex number to be “higher than” another complex number. Meanwhile, she doesn’t mention any restrictions on what value p can take, so it’s safe to say she’s implying that p can be any real number higher than or lower than 1, aka any real number except maybe 1. Now, the zeta function doesn’t actually have that domain, but we’ll get to that.

For now, let’s analyze her statements assuming p is any real number other than 1. Let’s take a look at the first one. 

Statement 1: If p is higher than 1, then ζ(p) is a whole number; a number without decimals. 

This is wrong. Just so we’re clear, I could probably prove, with my somewhat limited math knowledge, that this statement can only work if the domain is more restrictive than “all real numbers other than 1” as described previously. It'd have to be defined only in whole numbers, for example.

However, I don’t need to. One of the first lines in the Wikipedia page of the zeta function says that ζ(3) (which is the value you get after “adding all your characters” when p = 3) is an irrational number. That is, among other properties, a number with infinite decimals. Eva could not be more wrong if she tried. 

(Btw, yes I'm using Wikipedia as my only source. Not particularly rigorous research on my part, but this is a silly Tumblr post about funny killing game, there's a limit to my insanity)

I don’t even know how this happened, btw. It’s pretty clear this is a goof on the devs’ side (perfectly understandable btw, it took me several reads of the Wikipedia pages for both the zeta function and the Riemann hypothesis to even get them enough to write this post, and as stated I study a lot of math for my career), but I genuinely don’t know where they got the idea from. There’s nothing I could find about whole numbers in relation to the zeta function. There’s connections to prime numbers, which are all whole, but the series doesn't converge to them, the connection is a bit weirder than that. There's also some stuff Euler found about it converging to rational numbers for negative integers, but again, not whole numbers, and not even for real values above 1. So, yeah, no clue.

Anyways, what about the other statement?

Statement 2: If p is lower than 1, then you get 0, “an infinite amount of zeroes.”

This is also obviously wrong. In fact, reader! Can you think of a counterexample which is immediately obvious if you think about it for two seconds? A real number p lower than 1 such that ζ(p) isn't 0?

If you said “zero, because zero always breaks everything in very obvious ways,” you have good intuition! You could have also picked any other real number lower than 1, but those are less obvious.

For 0, the reason it’s so apparent is that any number raised to the power of zero is just 1, so 1 + 1/2ˆ0 + 1/3ˆ0 + … just turns into 1 + 1 + 1 + … and so on for infinity. Very obviously, the series diverges, it “goes to infinity.” This is very different from converging to 0.

And just so we’re clear, the series also diverges for any real value of p lower than 1, though I’ll leave proving that one as an exercise to the reader, with the help that I’ll tell you the infinite series 1 + ½ + ⅓ + ¼ + … also goes to infinity. Again, Eva could not be more wrong if she tried. 

So, what went wrong here? Turns out, the way Eva defined the zeta function as an infinite series (a "sum of infinite numbers”) only works when p is a complex number with a real component higher than 1. That’s why it was important for her to say what dice we were rolling to determine p, what the domain of the function defined by the series is. For other numbers, you need to define zeta in different ways.

And what happened to the whole “infinite zeroes” thing? Well, you see, I have a theory. I think the devs must have read that the zeta function had “an infinite amount of zeroes for values of p with a real component lower than 1” (which is true, but doesn’t mean what they think it means), and misinterpreted from there. Fair mistake. I kinda wanna correct it using the TTG analogy, but I’ll leave that for the end of the post because it’s gonna derail the entire thing.

(I got carried away and explained everything I understood about the Riemann zeta function oops)

What you need to know for now; you can do some math tricks to define the zeta function outside of the infinite series Eva described, though a lot of those tricks are way above my pay grade. That way, you can evaluate the function for any complex value of p other than 1. In other words, you can roll different die for p, but it requires redefining what you're doing with that p.

Turns out, in doing that, some funky shit happens, and any time p equals -2n for any n which is a natural number (that is, p = -2 or -4 or -6 or -8, etc.), the zeta function will go to zero. Those values of p are known as the “trivial zeroes” of the function, and are obviously infinite in number. However, note that these trivial zeroes are exclusively negative even integers; there are plenty of real values of p lower than 1 for which the zeta function is not zero, so Eva still isn’t correct at all.

Though, to be clear, there are also zeroes of the function other than the trivial ones. This is actually where the Riemann hypothesis comes in. The hypothesis is that any non-trivial zero of the zeta function has a real component of exactly ½, with the only difference between them being the imaginary component (if you didn't follow, again, more detailed explanation at the bottom of the post). This (in our world) has not been definitively proven to work for every non-trivial zero, though it does work for the first several trillion. 

Absurdly nerdy math rant over

So TL;DR, Eva made some pretty big mistakes when talking about the convergence of the zeta function, mainly stemming from not properly defining its domain, but also just straight up getting the convergence wrong. It doesn’t converge exclusively to whole numbers for real numbers above 1, and has to be defined in a different way for real values below 1, not to mention that she never brings up the full function is actually defined for complex numbers other than 1. 

Obviously, this all likely stems from the creators not actually understanding the zeta function themselves, which is pretty funny.

But you wanna know what the bigger issue is? That even if Eva had properly explained the zeta function, her paper would still suck ass. Because there’s a much bigger, more fundamental issue with the very thesis it upholds.

I want you to take a step back. Really look past the complex math and weird terms and the contrast between the very serious sounding Riemann zeta function and the somewhat silly concept of a TTG… 

And realize that the thesis of the paper Eva describes is “analogies exist.”

She can frame it however she likes, but ultimately, that’s what the point of the paper was. Eva, where the hell did you even get this published? In fact, I think it’s silly for you to say that it’d have been better received if your talent was different, because without it, I don’t see a world where this shit could even be submitted to any journal with even a modicum of self respect!

And look, she’s not wrong. I get her point, that mathematicians often don’t put in enough effort to communicate their work to the layman, and would benefit from explaining things in more creative ways. That’s cool. But that’s the kind of thing you would write for, like, an article or something.

But a paper is specifically meant for research. Calling this thing a paper almost feels insulting to mathematicians. Like the concept of using analogies to explain math is an unprecedented discovery that required actual research to figure out. Unless this paper was also the one where Eva solved the Riemann hypothesis (which God I hope that was a different paper), there's no new information being presented here. It's at best a personal opinion piece, which is not what scientific papers are for. 

Am I silly for getting hung up on the wording of this being described as a paper instead of an article or opinion piece or whatever? Well, this entire post is silly, but I don't think it's because of that, because words mean things. And a scientific paper carries certain connotations that do not align with what Eva describes.

And this little issue casts doubt in her general skill as a paper writer. That's why I'm a bit skeptical about the paper she mentions about the "theoretical possibility of lightspeed travel.” Because, quite frankly, that paper topic sounds… meaningless? Like a bunch of technobabble?

Like, what exactly are you discussing about lightspeed travel? In fact, what are you actually referring to when you say "lightspeed travel"? Matter approaching lightspeed, or reaching or even exceeding lightspeed? The latter two are impossible according to current scientific consensus, btw. Or is she discussing a particular trick to get something from point A to point B in less time than it would take for light to cover that distance? There are papers discussing stuff like that, even if all the mechanisms are also thought to be impossible by consensus. And regardless of what she means by "lightspeed travel", what does she mean "theoretical possibility” of it? Like, genuinely, I have no clue. Is she speculating on whether or not it's possible? Is she speculating on the properties such travel would have? Is she proposing a theoretical method to do it? Is she doing something else entirely? The premise of the paper is too vague, is my point. 

This worries me because… well, to put it bluntly, experts in related fields (such as mathematics) attempting to make cool sounding physics theories (such as a paper on the "theoretical possibility of lightspeed travel", whatever that means) which are completely wrong and nonsensical is a real, observable phenomenon in our world. Check out Angela Collier's "physics crackpots: a 'theory’” to find out more. And also check out the rest of her youtube channel it's great.

What Eva is doing with that paper honestly sounds remarkably close to what Angela describes there. In fact, let's check out whether or not Eva's hypothetical paper fits any of the four points Angela brings up to spot a crackpot theory.

1. “Addresses THE BIGGEST PROBLEMS in physics.”

By this, Angela means that the theory addresses a problem or topic that anyone with a passing interest in physics knows is a big deal. Things like dark matter, gravity, black holes, and yes, "lightspeed travel.” You're not going to see anyone with a crackpot theory on the equation of state of real gases or Eddy currents, because by the point you know what those things are in enough depth to be interested in them, you probably also know enough to determine what a good physics theory is and what isn't. Eva's paper fits this point, but that doesn't necessarily mean Eva is a crackpot physicist, right? 

2 and 4. “Lacking mathematical rigor, experimental data, etc.” and “They are not physics theories”

I grouped these two because it's impossible for me to know whether Eva's paper would actually fit these points or not. She doesn't give enough details for me to say. I can tell you for sure it's not gonna have experimental data, but since it's theoretical physics, that's fine. So, we can maybe give her the benefit of the doubt? As long as she doesn't fit the last point too well maybe-

3. “Respond with anger, claim physics establishment has blacklisted them, cite Galileo/Einstein/etc."

Oh no. 

Eva [1st FTE]: I could write a research paper on the theoretical possibility of lightspeed travel, but no one would care…

Oh no chat. She might actually be a crackpot physicist. 

It doesn't help that her mentality in general is actually very in line with the mentality described in the Angela video mentioned above. That because she's a smart person (which she is; again, solved the damn Riemann hypothesis), she should be able to easily become recognized and respectable in any field she takes interest in. But that isn't how the world works. There's a reason people spend years of their life studying literature, physics, or mathematics, just to truly get a grasp of each discipline individually. 

Ok, but, like, what's my point? Am I going to include her misunderstanding of the zeta function and the possibility of her being a "crackpot physicist” in any character analysis? No, of course not. You're very clearly meant to think Eva is genuinely skilled in every field she approaches, because this is a fangan and Ultimates can bend the limits of humanity to fit a narrative. I'm perfectly willing to accept that Eva solved the Riemann hypothesis, as you've seen throughout this post, even though I'd be highly skeptical of anyone making that same claim in the real world, "Ultimate” or not. The same way I'd accept that a fictional character of any kind could manage to accelerate a particle to exactly lightspeed, even though I'd immediately call bullshit if someone claimed to do it in real life. The standard for believability is different for fictional characters than real people, basically.

Really, when you boil it down, I only take issue with the things Eva says because I'm genuinely passionate about the topics she mentions, and because she gives enough details about her work for me to see the cracks in the writers’ knowledge of them. I'm assuming this is a common issue with any fangan that tries to really explain what being an "Ultimate” in a particular field entails, because no one is actually well versed enough in sixteen different talents to actually say that for sure. That's why Eva off-handedly mentioning that she solved the Riemann hypothesis is much more effective as a way to establish her skill than trying and failing to get her to actually explain the zeta function. 

All in all, this is just a purely self-indulgent post for me to vent about issues I have with the way the writers tried to convey Eva's expertise. Feel free to completely ignore this for character analysis, because I sure will. I just needed to talk about it because I would explode if I didn't. Anyways, hope you enjoyed! If you made it this far, you deserve a function named specifically after you! See y-!

Oh right I almost forgot.

My Own Explanation of the Riemann Zeta Function Using the TTG Analogy

(Explained by someone with little more than Wikipedia access, take all this with a grain of salt)

Think of finding the zeroes of a function as a boss fight. You go up to them, and you cast a spell, generally in the form of a number, such that the function becomes zero when you cast it. For example, the Easy Function

f(x) = 2x - 6

can be defeated by casting “3”, since 2x3 - 6 = 0. 

Every function also has a “domain”, which is a set of spells you can actually cast against it. For example, since 1/0 is undefined, the Medium Function g(x) = 1/x has a domain of all complex numbers except 0. Casting 0 against g has no effect. You need a special spell, “limit when x tends to infinity” (or negative infinity) to defeat it.

The zeta function is a Legendary Boss, defined by the infinite series ζ(s) = 1 + 1/2^s +1/3^s + … 

(I changed p to s for a reason trust the process)

Many mathematicians had tried to defeat it before, but it seemed futile*. Its domain was thought to be all real numbers higher than 1 (they originally didn't think to use complex numbers against it), but no matter what number was picked, that first term was too powerful. Even casting “limit when s tends to infinity” only got zeta down to 1. Nothing in its domain seemed to work.

Until Riemann arrived. 

The zeta function chuckled, thinking this one to be like all the many others before him. But the legendary mage Riemann had many a trick the zeta function hadn't seen before. Tricks to make make the domain of the function larger, so that new Number Spells could be cast against it. Where everyone else had only ever attempted to cast real numbers against this boss, he wouldn't be satisfied with that. Without warning, he cast the first of many powerful spells needed to do what needed to be done.

"Domain Expansion; Proof of Complexity"

Since you already knew this part, I'll skip the proof, but basically, Reimann quickly showed that the infinite series which defined the zeta function for real numbers higher than one actually worked for any complex number with a real component higher than one.

The zeta function was impressed, but unconcerned. It knew damn well there was still no spell in this new domain which could possibly defeat it. "Nice try, but I'm not scared of some imaginary unit” it claimed. 

“I'm aware,” claimed Reimann. He raised his hands again, his mana swelling, and the zeta function frowned. “But you're mistaken if you think this is the end.”

Reimann looked at the Legendary Boss in front of him, and cast the following, powerful incantation, with the help of the runes described below. 

"Domain Expansion; Analytic Continuation"

To truly defeat the zeta function, one must understand the concept of an analytic continuation. This is where I falter, for I myself don’t understand what the fuck that is. However, what I've been able to gather is that the function 

𝜂(s) / (1 - 2/2ˆs) where 𝜂(s) = 1/1ˆs - 1/2ˆs + 1/3ˆs - …

is equal to the zeta function in the zeta function's domain, but is also defined outside of it. In particular, it's defined for any complex number with a positive real component, except for the points where

1 - 2/2ˆs = 0

(can't be dividing by zero after all!). That last thing excludes 1, for example.

Basically, think of the spell "Domain Expansion; Analytical Continuation” as a shapeshifting spell that transforms the zeta function from the previous definition:

ζ(s) = 1 + 1/2ˆs + 1/3ˆs + … for s complex numbers with a real component higher than 1.

to now being defined as:

ζ(s) = 𝜂(s) / (1 - 2/2ˆs) for the previously described new domain.

That way, its domain is expanded to include complex numbers with a real component between 0 and 1, aside from those where 2/2ˆs = 1.

But of course, Reimann wouldn't be satisfied with that. The next spell was simpler, but worthwhile nonetheless. 

"Domain Expansion; Limiting Singularity Removal"

See, turns out, all the points "z” where the analytic continuation was undefined, other than 1, where removable singularities (I think? I don't actually know much about complex functions :v), which means the spell "limit when s tends to z” returns a finite number l. That way, you can define ζ(z) = l for all of these removable singularities, expanding the domain of the zeta function to all complex numbers with a positive real component, other than 1.

Don't worry if you don’t know what a limit is or you didn't follow this part, it's not too important for this. After all, that last spell didn't worry the zeta function. What had truly taken it aback was the analytic continuation, which suddenly exposed a few weak spots of the zeta function to the world. Now, Reimann could defeat it once and for all, as long as he found the right spell in the new domain. 

However, the zeta function was a Legendary Boss for a reason. "Fancy tricks, but it won't be easy to find something to actually defeat me, you know,” it bluffed, hoping intimidation would work. Foolish hope.

"Oh, certainly,” Reimann agreed readily, smiling. The zeta function was confused for a moment, until it realized something horrifying. 

Reimann's mana was swelling again. He wasn't done. And for the first time since it's run-in with Euler all those years back, the zeta function felt true fear.

“It won't just be easy,” Reimann smirked. “It will be trivial.”

"Domain Expansion; Functional Equation"

This is another point where the math is beyond me, but I'll try to explain. Basically, Reimann proved that that equality up there holds true as long as s is a complex number with a real component strictly higher than 0 and strictly lower than 1.

However, you'll notice that if you take s as a complex number with a real component equal to or lower than 0 (other than 0 itself), then the right side of the equation is actually well defined, because 1 - s is a complex number with a positive real component (and not equal to 1 unless s is exactly 0), meaning ζ(1 - s) is well defined. You also don't run into issues with any of the other factors of that equation, including the Gamma function (𝚪). What that means is that this equation can be used to extend the zeta function's domain to all complex numbers other than 0 and 1. 

Think of this domain expansion as a shapeshifting curse. If you cast a complex number with a real component strictly higher than 0 (other than 1), then the zeta function defends by turning into either the analytic continuation from before:

ζ(s) = 𝜂(s) / (1 - 2/2ˆs)

or the limit for any values where 1 - 2/2ˆs.

Meanwhile, if you cast a number s with a real component equal to or lower than 0 (other than 0 itself), then the zeta function shapeshifts to be:

ζ(s) = 2ˆs 𝜋ˆ(s-1) sin(s𝜋/2) 𝚪(1-s) ζ(1-s)

The final step is yet another Domain Expansion; Limiting Singularity Removal on 0, where ζ(0) = -½. Again not really important for us. 

In any case, Riemann had done it. Five consecutive domain expansions, so that the zeta function's domain now included all complex numbers except 1. The zeta function was on its last legs, all that was needed was the final touch. For the inexperienced, you might think finding a zero would still be difficult, but the truly expert mages among you might have already noticed the weak spot in the functional equation. 

The sine function. A Common Enemy which goes to 0 whenever it's attacked by a whole number equipped with the Legendary Tier item 𝜋. And when a complex number with a negative real component is cast against the zeta function, sin(s𝜋/2) becomes one of the factors.

"You know what this means, don't you, zeta?” Riemann asked. And the zeta function couldn't muster a response before the legendary mage cast his final spell. "You lose.”

"Simple Spell; Negative Even Integer"

-2, -4, -8, etc. Any even integer s causes s/2 to be a whole number, so sin(s𝜋/2) goes to zero. And since it's multiplying everything else, the entire zeta function goes to zero. These negative even integers are known as the zeta function's "trivial zeroes", and because there are infinite negative even integers, it can be said that the zeta function has an infinite amount of zeroes.

However, just because the Riemann zeta function had been defeated, doesn't mean Reimann was satisfied. See, Riemann noticed that there were other values which could defeat the zeta function, and weren't negative even integers. These are the zeta function's non-trivial zeroes. And he noticed that all of these zeroes followed a pattern, so he tried to cast a Prophecy Spell.

A Prophecy Spell (or a theorem, in real math terms) is one that makes it so that, when certain conditions are met, something happens without fail. To cast a Prophecy Spell, you must prove it, which means using other prophecy spells, runes and unbreakable laws (axioms) to certify that it's a valid prophecy. 

I'll give you an example in case you're not used to the concept of mathematical proof, and cast the Prophecy Spell “if b is a real number, then b0 = 0". To prove it, I'll use two axioms (these are the building blocks of mathematics, and don't need to be proven because they just Are).

1) 0 + c = c (0 is neutral to addition).

2) b(c + d) = bc + bd (Distributive Property)

Now, observe the following:

1) b(c + 0) = b(c + 0) [Trivially true.]

2) bc = bc + b0 [0's neutrality used on the left, distributive on the right]

3) 0 = b0 [Because bc = bc, you can nullify the terms]

I chose this because it happens to be the reason you can't divide by 0. Division is formally defined as multiplication with the reciprocal, so to divide by 0 you must first define its reciprocal 1/0. 1/0 would be defined as a number such that 0 x 1/0 = 1. But we just proved there's no real (or complex) number for which that can be true, so 1/0 isn't a number, thus is undefined.

In any case, now you know what's needed to cast a Prophecy Spell. However, Riemann couldn't finish the Prophecy spell about the non-trivial zeroes. He couldn't find proof or a counterexample to refute it. And so, his unfinished Prophecy Spell went down in history… as the Riemann Hypothesis.

“All non-trivial zeroes of the Riemann zeta function have a real component of exactly ½.”

Although it's been proven to hold true for trillions of non-trivial zeroes, it has never been properly proven or refuted, so the Riemann Hypothesis remains… unsolved. 

God that was nerdy and cringy as hell. It was also super fun to write so I don't care :D 

*Look, for the purpose of the post, I'm saying Riemann did all this shit and is the first one to find a value for which the zeta function becomes zero. This is likely not historically accurate. I'm just doing it so the explanation flows better. This should only be taken as an explanation of the function itself, and not the history behind it.

[doodler16]

3 things to say:

1- "being gay is when a married man cheat on wife with another man"- vivziepop's logic (her lgbtq representation is very conservative if you think about it)

2- I feel like fans know that vivziepop's writing is bullshit and full of pilot holes but they Don't care about it as long there's characters to fuck *cough* loona *cough*,people underestimate the power of horny lol and to this day I still don't understand the hype and praise for loona but this is how Internet works I guess

3- I usually don't care about ships and strange kinks as long it stays fictional and no real person is involved in it BUT i hate it when a creator push it in their "morality teaching shows" it's where I draw the line like you either make serious show about taking abuse seriously to spread awareness or a weird fever dream kink show made for gooners to enjoy, you can't have it both,vivziepop made hypersexuals look like bunch of freaks and stigmatised them even more. "Please guys have sympathy for this character for getting sexually harassed but please don't blame him for sexually harassing others cause trauma made him hypersexual and you have to deal with it, he's just coping!" Like wtf are you serious? There's different ways to coping with trauma including drawing fetishes and kinks and i see no problem with it but harassing others is not coping you are just being peirce of shit, her morality is so flawed what is she even trying to tell audience? Victims of SA become assholes and have free card to harassing others? Wtf? And Yes I am a proshipper and I hate HH/HB because I hate it when a show tell you it's ok to cheat and it's ok to sexually harassing others why? because you said that this show is meant to represent victims but you only made victims feel embarrassed even more about themselves and you backstabbed them like don't you realise when you say your shows is about victims your victims watch the show to feel comfortable and feel being understood only for them seeing angel dust being asshole and sir.pentious getting SA'd as a joke? where's the SA awareness? Like yes we know victims who read SA fanfic as coping exist but not all of them cope the same way and we thought you would tell us how terrible SA can be and how it effects victims horribly ,not using trauma to excuse their shitty behaviours? I hate seeing people getting hurt and I don't want to be near someone telling me that them being asshole is ok because "HB is like bojack horseman and told me it's ok because X And Y" like stfu if you truly know anything about bojack horseman you wouldn't even think of comparing the two also you're an adult and if a dumb cartoon made you harassing others then you weren't good person in the first place you bastard maybe talk to therapy instead because creating trauma to others will never help you also not to mention half of fanbase of HH/HB are minors thanks to lazyass parents and society gaslighting everyone with "if it's cartoon then it's for kids" but the audience is out of vivziepop's control do i am not gonna blame her for this one but all i know is that unlike adults who are aware and responsible for their actions minors brain is not fully developed and they can be misguided most of times so i am worried about them growing up with vivziepop's 'morality' so i don't know the solution of who is watching cartoon and i think we should normalizing shaming lazy parents like don't be a parent if you would just let internet babysitting your child instead of you doing it yourself parenting is called parenting for a reason you're called "parent" not "birth giver", why am I proshipper? Because I don't care about others ships but I don't like the She-ra's "lesbians can't be abusive! You must feel bad for your abuser and you owe them everything and you should forgive them" Message and vivziepop's "if you're in straight marriage and you find out you're gay just cheat oh and if you have trauma it's ok to be asshole" Message (I hope you understand what I am trying to say and I hope you understand we have same goals before you tell me I am terrible as abusers just because i don't care about others ships and believing that fictional things doesn't matter as long it's fictional)

Alright I am done,scream at me I guess

The fans would also fill in the holes regarding Helluva Boss and doesn’t help that Vivziepop would like tweets about it. Don’t like tweets of your fans defending your show. Put and write it into your dialogue not on Twitter 😭

Yeah, Vivziepop has a huge problem of wanting her cake and eating it. Like what you mentioned Anon, the sexual assault jokes then another moment taking it seriously. Rinse and repeat. The moral compass in Hazbin Hotel and Helluva Boss is so wish-washy.

Successfully killed straight married couple. Cool. Oh no, Blitzø doesn’t have the guts to kill a gay couple. Woahh apparently it’s character development (despite Blitzø fighting over a parking lot like an Anon in my last ask mentioned, happily participating in a Wrath competition in Millie’s hometown, killing lumberjacks, happily will screw over the cherubs, etc etc).

Most of the characters especially if a character is Vivziepop’s favorite, don’t get held accountable and when they do have a chance to be called out, it’s usually downgraded in some way or there is some excuse in said action.

Its funny you bring up the children in Hazbin Hotel/Helluva Boss because there was literally a situation where like what a 9-10 year old was at a Hazbin convention asking Blake Roman an inappropriate question regarding Angel Dust. It is so mind boggling to watch. Hazbin and Helluva are supposed to be for adults (+18) but the both shows don’t seem adult despite covering big topics like rape, kinks, etc. It feels like 2 kids in a trench coat attempting to sneak into a R rated movie.

At the day it’s the parent’s responsibility and they should be called out. It also doesn’t help that a few voice actors like Amir encourage kids and parents to watch Hazbin Hotel, despite Vivziepop expressing multiple times it’s for adults. I don’t know if he changed his mind about kids accessing Hazbin Hotel but I hope he does.

Vivziepop could potentially age gate Helluva Boss (I’m not talking about the warning sequence from Helluva Boss that flashes for 5-10 seconds every episode). But like manually do this:

But Vivziepop would lose some more views if that happened. Otherwise there isn’t much she can do.

[casualya]

FUN FACTS ABOUT YOUR TAV

Thank you for the tag @yennefer-of-vengerbergs ❤️!

ohhh, I'm very, very slow, I know. I just don't have a very good imagination for it 😅.

I use google translator, so I apologize for my mistakes.

Is your character good, evil, or neutral (makes some good decisions, some bad ones)? - My character is initially neutral-good, however later on, she becomes more of a chaotic-good. She isn't evil, that's for sure. She doesn't know how to be truly evil.

What hobbies do they partake in? - She's very, very mediocre at playing, but she likes it (and everyone in the camp tolerates it while she strums whatever musical instrument she can get her hands on), but she sings beautifully and has an enchanting voice. Also her voice – it’s power from her patron, she can charm, persuade, deceive with using it. Or intimidate. - She loves to read and tries to do so at any free moment when she's not busy solving various problems of their little troop or she reads when they take a break. She likes to collect, read and memorize different stories, legends and then put them together into songs. She likes that Astarion is often busy reading as well.

(But she likes to do more than anything else in the world is this: She loves it when Astarion comes to her tent or she comes to him, and then she likes to lie down and stroke Astarion's hair. She has small thin fingers, she traces the contours of his face with them, wrinkles and small scars on his skin, she likes to stroke his hands. Falling asleep, she takes his hand and puts it under her cheek.)

Do they own any heirlooms from their family or ancestors? - No, alas, and she doesn't remember her parents or her family.

Can your character cook? - Oh, yes, she can cook, she doesn't cook culinary delights, but she's good enough to feed the whole squad in the parking lot. However, she would rather do something more useful (like go to Astarion's tent and read or cuddle with him) if someone offered to do it for her.

Does your character have a best friend? - Astarion is her love interest… but about best friends - probably Wyll and Karlach. She really bonded with Karlach and Wyll because she wants to help Karlach, and with Wyll because he too has a patron who gives him power and asks for something in return.

Their biggest fear? - Her biggest fear is losing the Astarion. She's afraid that something will happen to him, that they might not be able to deal with his master (my Tav and her squad are at the beginning of Act 3, somewhere near Baldur's Gate or Rivington, their story isn't finished for me yet). She's also learned something about the Ritual, maybe more than Astarion himself, and she's worried that she won't be able to convince Astarion not to perform the ritual. She's afraid that something will happen and Astarion will be different, not the way he was, not the way he is now. She hasn't told him everything in words but she understands her feelings for him, she is very much attached and in love with him. No doubt she will try to convince him to stop and not do the ritual, but first she needs to eliminate Cazador somehow. She also worries that her patron may for some reason interfere with her relationship with Astarion or demand an exorbitant fee for the magical power.

Name one of their red flags - (I don't think I'm getting this right, but so be it) - When she is compared to someone else clearly not in her favor

[cuprohastes]

But you're on Tumblr which has ads.

Indeed this reply is an Ad for the Cuprohastes Reply Guy service: When you need someone to be That Guy, DM Cuprohastes!

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All for the low low price of never hitting Post again without gritting your teeth and wondering if it's worth it!

...

Ok that was fun but the problem is that there's a social component that's being hijacked for profit.

If everyone's talking about that cool new series that's spun off from that huge nostalgia franchise, and OMG didn't That popular Character kicks some serious ass?!

... you have to be in a permanent position of going "What? Who? no i live under a rock and will not engage in any of these social moments, lol...

Unless of course you Arr Matey your way across the internet, meaning you're having to get familiar with a VPN, the software, dealing with the odd weird virus, occasional videos that are actually covered with ads for soemoen's malware filled torrent server, malicious scripts on sites that stop working if you turn off Javascript...

And of course if your countermeasures aren't set up right, you get nailed by whatever the Media Mafia is currently calling itself.

Which is no good for most users who's entire Internet presence is basically phone apps.

We're taking about a demographic that may not know how to copy and paste using a keyboard. Who's smart TV is a streaming stick and they wouldn't know how to play a video file to it.

And then there's everyone who's playlists and film libraries of 'bought' media are now stuck behind an increasingly bad paywall, but y'know, sunk Cost Fallacy: They don't want to just walk away from hundreds of dollars of 'owned' movies.

Just because we can walk away, doesn't mean everyone else can or even wants to.

And that's the business model!

About ten, fifteen years ago I wrote a story about a guy living in a Capitalist dystopia. His walls, furniture, and tableware are all covered in smart displays. Basically animated wallpaper. It's sold as being able to turn your room or objects into anything - A nice forest view, outer space, a fantasy realm... but the companies that run this stuff keep sneaking ads in.

It gets so bad he's always being woken up by adverts that offer insomnia cures and better bedding that play when he tries to sleep.

So he buys the ad-free tier, and it's great... for a few months. And then he starts getting adverts from 'premium partners'. So he goes up a level... and the same thing happens.

So he jailbreaks his wallpaper and sends all the ad servers to 0.0.0.0 and voila... he can sleep.

Until this SWAT team blows his door off and drag him off to jail. The Ad companies are suing him for loss of revenue for the products he' notionally have bought if he'd watched their adverts, based on some weird 'The average consumer buys X products with an average value of Y' calculation.

The judge is like 'well I dun wanna annoy the sponsors' so he RICO's this guy's house and possessions and sends him to jail.

... which is a nice relaxed non-volent offender jail for the corporately disenfranchised. But because these people have no money... there's no ads and now he's happy because the only place he's free... is in prison.

Which at the time was a bit much and now it's like: Called it.

Elon's suing companies for not advertising because he's losing revenue. He's also cranking the price of Ad Free Twitter. Disney and Amazon play adverts on their paid service when services used to be free because of the adverts... and now you have to pay to watch the adverts or go up a couple of tiers.

And google's going around freaking out about ad-blockers.

[random111sposts]

[S2 SPOILERS] My problems with JayVik (Mostly Jayce) and season 2 in general

Hello shippers, I already am preparing for some angry replies but whatever, anyways

The more and more I rewatch season 2 of Arcane and the more I talk about it with my friend, the more I see problems with the writing and how they did the characters

A lot of it revolving around Jayce specifically and how they seem to have sacrificed Jayce and Viktor's individual characterization and why I don't see Viktor and Jayce together and much prefer they stay just friends and focused more on their own individual struggles and stories

(It seemed like they wanted to put more emphasis on how much Viktor and Jayce need each other rather than focus on how they need to fix up their own individual growth, like how Mel was basically cast aside for some reason as if she and Jayce weren't a thing so he left her alone to become astral buddies with his partner without even saying good bye to Mel first

Sure, just forget the woman who influenced you greatly both in bad and good ways, the same woman who was trying to convince the council not to want weapons made with Hexcore

Forget the woman who you would go to for comfort and who WAS THERE FOR YOU WHILE YOU WERE STRUGGLING WITH YOUR DYING BEST FRIEND

And how Viktor keeps on doing stupid shit like not defending himself or hiding in Act 2 when he himself says that Jayce is not acting like himself and even invites Jayce, thus allowing Jayce to do exactly what you would expect your bestfriend who you said seemed not like himself would do, kill people

He wastes Ambessa's and Singed's time and visits Jayce first even though he can just forcefully get Jayce to join him anyway by having Singed already go through the plan in Act 3 when Viktor was a villain

But nah, doc, gotta talk with my boyfriend first even though I'm currently supposed to be the version of myself that prioritizes evolution more cuz I changed after being killed)

(I wish they went more in depth about Viktor wanting to help the people of Zaun and creating inventions while also struggling with his own flaws and weaknesses both physically and mentally while also having to deal with the discrimination and ignorance of Piltover towards what they keep doing that ends up harming Zaun)

(I wish they went more in depth about how ignorant and naive Jayce is with how he keep accidentally causing more harm towards Zaun like when Ekko called him out for basically making shit that bring the trash of Piltover over to Zaun. Then have Jayce start to grow more as a character and actually LEARN AND KEEP TRYING to go against the superficial demands of his fellow council members and actually try to help the people of Zaun properly by actually listening to them and not just listen to the higher ups because he's a people pleaser. Have Jayce learn more to be independent and less susceptible to being easily manipulated and influenced

DO NOT JUST IMMEDIATELY SHOW SOME TIME TRAVELLING BULLSHIT THEN HAVE JAYCE SUDDENLY KILL GOD VIKTOR THEN SUDDENLY MAKE JAYCE SEEM LIKE HE'S RHE HERO ALL ALONG WHEN WE DIDN'T PROPERLY SEE HIS CHARACTER GROW OTHER THAN HIM BEING FORCED TO BE HARDENED DUE TO THE TRAUMA OF BEING TRAPPED IN A DYSTOPIA

That's not growth, THAT'S TRAUMA

AND PLEASE, FOR THE LOVE OF FUCKING GOD, STOP MAKING HIM DO THE "Trust me bro" SHIT LIKE HOW HE DIDN'T ELABORATE ON HOW HEXCORE IS A CURSE TO VIKTOR AND HOW ALL HE DID TO PROVE VIKTOR IS BAD IS SHOW A MANNEQUIN)

Like, with Jayce and Mel, they barely had a proper resolution with Jayce just leaving Mel to play Astral God with Viktor without even thinking about how this would affect Mel

And with Jayce's decision to kill Viktor I initially thought "Okay, cool"

But then, the more I think about it, why didn't Jayce just talk to Viktor and ACTUALLY explain how the Hexcore is a curse? THAT IS EXACTLY WHAT HE DOES ANYWAYS AT THE FINALE, SO WHY NOT DO IT BACK IN ACT 2?

SHOW VIKTOR YOUR MEMORIES OR TALK OR SOMETHING SINCE YOU DO THAT ANYWAYS AT THE END

Like Jesus, all Jayce said was "Hexcore is a curse" without elaborating then kills Salo

I keep justifying why Jayce killed Viktor immediately with the whole "Jayce is traumatized cuz he was trapped in a dystopia for God knows how long" but someone else pointed out that it probably isn't enough to justify Jayce's brutality

And I already made a post all about Viktor's POV during all of season 2 so I wouldn't blame Viktor for now changing his views on the world AFTER BEING KILLED BY HIS BESTFRIEND AND WAKING UP TO ALL HIS PEOPLE DYING TOO

https://www.tumblr.com/random111sposts/769459212648693760/viktors-pov-hexcore-kills-friend-i-am-about

I was initially fine with Jayce being a dumbass in season 1 mostly because his dumbassery is constantly called out (Vi calls him out when he panics about killing a child by pointing out how he people have been harming for years and he is just to ignorant about it, Viktor KEEPS calling out Jayce's bullshit like with preventing Zaunites from crossing the bridge and Jayce considering making weapons)

But season 2, not many people do that as much so I ended up getting more and more mad with Jayce's actions since not many of the characters are gonna call him out

The closest was (again) Viktor who full on ended their partnership because Jayce broke their promised, revived Viktor with the thing that killed Sky, and MADE WEAPONS with said thing

Now onto Viktor, my main problem is THEY HAD MORE POTENTIAL TO FLESH OUT VIKTOR'S CHARACTER

LIKE HAVING HIM WORK TOGETHER WITH JINX?

HAVE HIM HAVE MORE PARALLELS WITH SINGED?

HAVE HIM REALIZE BEFORE THAT HE ACCIDENTALLY MADE A HIVEMIND AND STRUGGLE TO UNDO IT THEN GET DEPRESSED THAT HE ONCE AGAIN ENDED UP HARMING PEOPLE IN AN ATTEMPT TO SAVE OTHERS?

BUT NO, LET'S HAVE VIKTOR BE AN EMOTIONAL DUMB FUCK AND NOT ASK JINX AND VI "Hey, since I'm helping your dad and stuff, mind helping me by defending my people since my ex BFF is coming here and he seems not to be in the right mind?"

VIKTOR WOULDN'T HAVE KNOWN IF THEY WOULD SAY YES BUT MIGHT AS WELL TRY, RIGHT?

WE COULD'VE HAD A COOL ZAUN NATION THING WHERE VI, JINX, ISHA, VANDER, AND VIKTOR WORK TOGETHER TO PROTECT THE PEOPLE

BUT NO, HAVE VIKTOR DO NOTHING TO TRY TO DEFEND HIMSELF, HAVE HIM INVITE JAYCE OVER, THEN HAVE HIM MEDITATE WHILE JAYCE TURNS HIM INTO A DAMN DONUT

YOU FUCKING KIDDING ME?

Also, the damn line "You were trying to fix imperfections" or whatever

JAYCE, VIKTOR WAS FUCKING DYING

COUGHING BLOOD

WHAT? THE HELL YOU MEAN HE'S A PERFECTIONIST

If anyone was a perfectionist, IT WAS FUCKING PILTOVER, NOT THE DISABLED GUY DYING WHILE TRYING TO HELP OTHERS

Another missed potential, they kept show Jinx as Les Miserables or something in the intro, so obviously seemed like she would be a revolutionist

And Viktor wants to help the less fortunate and gets mad whenever Piltover does anything to further ostracize Zaunites

WHY NOT HAVE THE TWO WORK TOGETHER IN THE REVOLUTION?

MACHINE HERALD AND THE FEARED WANTED GIRL WORKING TOGETHER TO REBEL AGAINST THE PRIVILEGED

THAT WOULD'VE BEEN SO FUCKING COOL

COME ON

[genderqueerdykes]

Thank you for apologizing for misunderstanding my ask that was really kind of you. A lot of people on this site would probably just ignore it or delete it with no apology but you were good enough to apologize and I really appreciate it. I love your blog, keep doing what you’re doing <3

no worries, thank you SO much for coming back!

i've been having some issues parsing text recently due to dealing with a bit more psychosis than normal. sometimes i am dealing with my paranoid thinking than i realize. even though it's due to mental health symptoms, i'm not just gonna pretend it didn't happen. i felt like such an ass the second it hit me. paranoid schizophrenia sucks, but i still have to own up to being a dick,

i apologize for that, it was super uncalled for.

to everyone else: if i ever misinterpret an ask, please feel free to come tell me. it generally is not done in bad faith, it's likely due to me having a completely inaccurate perspective on it due to how my brain is parsing information at the moment. doesn't mean it's right for me to treat you wrong, though. i'm capable of making mistakes but i'm not afraid of making things right! i do care about y'all

someone else helped me parse your original ask. i agree, it's fucked that people really only start caring about something when it starts affecting women (trans and otherwise tbh). like people wait until it's a problem that begins affecting women, or start hearing from the women it has affected from the start and THEN start caring. but if we try to have the conversation about how it's hurting trans & other queer men that you should care about, it's crickets. so many people do not let the conversations exist simultaneously

people honest to god think that transmascs and trans men don't feel pain or suffer. like let's be real here. people do the most heinous mental gynmastics when it comes to transmasculinity. people will force toxic masculinity on us to downplay our issues, as if somehow that helps anything, and then when we speak up about how something shitty affects us, they just straight up don't listen or tell us we're talking over someone. it's a no win situation and it's designed to be that way on purpose. it's so fucked up

take care of yourself anon! i appreciate your feedback!

[rheeblogs]

★ — ON THE ROCKS

★ — pairing : maggie rhee x fem!reader

★ — being a bartender had it’s good days, and it’s bad days too. but one of your regulars always seemed to turn your night around—and turn you on.

★ — warnings : alcohol consumption, sexual content, bartender reader, men

🔖 : @thaatdigitaldiary @rosemariiaa

the nights were quieter than they used to be. the sound of a jukebox playing old country songs filled the bar as you wiped down the counter, stealing a glance at the regular perched at the far end. maggie rhee. she wasn't a loud drinker, nor was she particularly outgoing with the other patrons, but she had a way of commanding the room with just her presence.

and then there was her smile—sharp, teasing, and unmistakably directed at you.

----

"y'know," maggie drawled as she swirled the amber liquid in her glass, her eyes pinned on you, "if i didn't know better, i'd think you were ignoring me."

you rolled your eyes but couldn't help the grin tugging at your lips. "i'm working, maggie. some of us have to make a living."

"oh i don't doubt it," she said, leaning over the counter just enough to close the distance. her voice dropped, soft and low. "but don't think i didn't notice your eyes trailin' every now nd' then. it's cute."

your cheeks flushed, but you played it cool. "must be my bartender instincts, keepin' an eye on all my customers."

maggie's smirk widened as she moved a strand of hair out of her face. "mmm. is that what you're callin' it?"

you couldn't suppress the laugh that escaped you. maggie had been coming here for weeks, and every time, her flirtation grew bolder. part of you loved the attention; the other part worried about what she was trying to get out of it.

"well," you said, sliding another pour of whiskey, "if you're gonna keep me on my toes, at least tip well."

"oh, darlin', i always pay what's due," she murmured, the double meaning lingering in the air between you.

----

it wasn't always easy working at the bar, especially when the crowd got rowdy. tonight, you were dealing with just that. a group of men had stumbled in, drunk and loud, and one of them, in particular, had taken a keen interest in you.

"hey, sweetheart," the man slurred, leaning over the counter. "why don't you let me take you outta' here, huh? bet you'd look real good on my arm."

you stiffened, forcing a polite but firm smile. "not interested, buddy. just here to pour drinks nd' get my check."

"oh, come on," he pressed, his tone turning darker. "don't be like that."

before you could respond, maggie's voice cut through the din like a blade.

"she said she wasn’t interested, right?" maggie said, her southern drawl carrying an edge that made the man pause.

the drunk turned to her, clearly sizing her up. "and who the hell are you?"

maggie stood, her posture relaxed but her eyes sharp and dangerous. "someone who doesn't take kindly to men who can't take no for an answer."

the man laughed, but it was uneasy. "you got a problem?"

"yeah," maggie replied, stepping closer, her hand resting casually on the hilt of her knife. "my problem is you. now, i'd appreciate if you'd apologize to her, nd' go about your night."

the room went quiet, all eyes on the confrontation. the man, clearly was outmatched, raised his hands in mock surrender. "fine, fine. didn't mean no harm."

"good," maggie said, her tone final. she watched him retreat back to his table before turning to you. "you alright, darlin'?"

you nodded, your heart pounding. "thanks for that."

"anytime," she said, her voice softening. "but next time, don't wait for me. you've got more fight in you than you think.”

----

the night had finally slowed down, and maggie was still sitting at her usual, nursing her drink. the two of you had exchanged glances all night, the tension building to an almost unbearable degree.

you were wiping down the counter when she stood and made her way toward you, her eyes locked on yours. "you got a minute?"

you nodded, swallowing hard as she led you to the back hallway where the restrooms were.

the second the door closed, she was on you. her lips crashed against yours, and you gasped, gripping her jacket to steady yourself. she pulled back enough just enough to murmur, "been wantin' to do that for weeks."

your breath hitched. "you don't waste time, do you?"

she grinned, her hands sliding to your waist. "when it comes to you, no, i don't."

her lips found yours again, and this time, the kiss deepened, all-consuming and hungry. the bathroom was small, but neither of you seemed to care as she backed you against the wall, her hands exploring with a mix of confidence and restraint.

"tell me to stop, darlin'," she whispered, her voice hoarse, her forehead resting against yours.

you shook your head, your hands tangling in her hair. "never."

she gives your hips a squeeze, starting to grind you against her. you can feel the roughness of her fingertips gliding across your bare thigh, the lowrise jeans under your apron discarded on the tile of the bathroom floor.

you were left in soaked panties and the black fitted shirt you were required to wear for work, the low cut vline leaving almost too much to maggie’s imagination, the thoughts of bending you over, pressing you against the hardwood of the bar counter, and absolutely taking in your body, swarming her mind.

you whimper at her touch, making a light switch in maggie’s mind. she slithers a hand down to the bottom of your shirt, and swiftly pulls it over your head. your hair falls back into place, as she snakes her hand down your stomach.

“look at you…” maggie says, as her fingers work their way to your panties, moving them to the side slightly. “you’re soaked, honey.”

“maggie, please.” you managed to moan, as her rough hands circled your clit. she was gentle, and she took her sweet time with you.

“please, what? huh honey?” she teased, curling her fingers inside you, catching you off guard completely. “got you all worked up, yeah?” she says, letting out a low laugh.

“fuck, maggie—,” her fingers are deep. you’d never been this wet for many people before, but the way maggie carried herself, the confidence and edge in her persona, the way she took down walkers with ease, and most of all, the way she looked at you. like she needed you.

just you.

“buryin’ my fingers in this pussy, yeah, baby?” she was pumping her digits in and out of you with ease, the slick slowly leaving you, making things so much easier for her to take control.

“i’m so close, maggie—so fuckin’ close.” she speeds up, her pace overstimulating you. the sly grin on her face appears when she realizes how fucked up you are, because of her. she wanted you all to herself.

“you wanna cum, don’t you, darlin’?” she says, getting close to your ear to mess you up more than she already has.

“please…” you cried out, feeling that warm sensation slowly overriding your stomach, signaling you were bound to snap soon.

“such a good girl, baby,” her praise made you whimper, the way she made you feel, complimenting your ever move made your knees damn near give out.

“all over my fingers, honey. let it all out for me.” and with that, moans spill from your lips, the attempt to catch your breath being incredibly difficult.

“fuck…you make me crazy, honey.” maggie said, looking down at the mouth watering sight, the substance adorn on her palms and fingers—all from you. she takes her hand in her mouth, cleaning up the mess you made.

[eyrieofsynapses]

and also: the trolley problem is representative of a badly designed system specifically, but really, any system is going to have flaws. we can design them to be better! but no matter what you do, every societal system will have some variance of the trolley problem.

obviously there are ways to design it in which a) that scenario is incredibly unlikely and b) where the collateral damage is significantly less (ex. a broken arm instead of several deaths). but the trolley problem's fundamental question--what do you do when there is no good answer?--is applicable in any society, because humans (and evolution/nature/the universe in general) are fundamentally flawed. we're kind, yes, but no matter what we do, we get angry, we get greedy, we mess up. we're monkey-brained. we don't think purely logically. the systems we design will always have problems.

so it's not just about "how do we deal with the problems in our current society?" it's "how do we best handle the problems that arise in all systems?" or, perhaps more so: "how do we come to terms with the fact that we cannot build a perfect system and there will always be times when we only have bad options?"

The root of my frustration with a lot of trolley problem discourse is that 'What does it mean to act ethically in a world where shitty luck and the actions of strangers you'll never meet have left you without any purely good options?' is, like, possibly one of the most relevant and universally applicable questions moral philosophy might help answer.

Saying it's a bad question because it's the negligent trolley engineer's fault literally exactly misses the point - yes how to deal on a personal level with systems and infrastructure that designed without much care for human collateral damage is an incredibly useful thing to think about!